BEAUTY ICON OF THE WEEK: DAME ELIZABETH TAYLOR
1932-2011
Early years (1932–1942)
Elizabeth Rosemond Taylor was born in London, the second child of
Francis Lenn Taylor and
Sara Viola Warmbrodt (1895–1994), who were
Americans residing in England. Taylor's older brother, Howard Taylor, was born in 1929.
Her parents were originally from
Arkansas City, Kansas. Francis Taylor was an art dealer, and Sara was a former actress whose stage name was "Sara Sothern." Sothern retired from the stage when she and Francis married in 1926 in New York City. Taylor's two first names are in honor of her paternal grandmother, Elizabeth Mary (Rosemond) Taylor. A
dual citizen of the United Kingdom and the United States, she was born a British subject through her
birth on British soil and an American citizen
through her parents. She reportedly sought, in 1965, to renounce her United States citizenship, to wit: "Though never accepted by the State Department, Liz renounced in 1965. Attempting to shield much of her European income from U.S. taxes, Liz wished to become solely a British citizen. According to news reports at the time, officials denied her request when she failed to complete the renunciation oath, refusing to say that she renounced 'all allegiance to the United States of America.'"
At the age of three, Taylor began taking ballet lessons with Vaccani. Shortly before the beginning of World War II, her parents decided to return to the United States to avoid hostilities. Her mother took the children first, arriving in New York in April 1939, while her father remained in London to wrap up matters in the art business, arriving in November.They settled in Los Angeles, California, where Sara's family, the Warmbrodts, were then living.
Through
Hedda Hopper, the Taylors were introduced to
Andrea Berens, a wealthy English socialite and also fiancée of
Cheever Cowden, chairman and major stockholder of
Universal Pictures in Hollywood. Berens insisted that Sara bring Elizabeth to see Cowden who, she was adamant, would be dazzled by Elizabeth's breathtaking dark beauty; she was born with a
mutation that caused double rows of eyelashes, which enhanced her appearance on camera.
Metro-Goldwyn-Mayer soon took interest in the British youngster as well but she failed to secure a contract with them after an informal audition with producer
John Considine had shown that she couldn't sing. However, on September 18, 1941, Universal Pictures signed Elizabeth to a six-month renewable contract at $100 a week.
Taylor appeared in her first motion picture at the age of nine in
There's One Born Every Minute, her only film for Universal Pictures. Less than six months after she signed with Universal, her contract was reviewed by
Edward Muhl, the studio's production chief. Muhl met with Taylor's agent,
Myron Selznick (brother of David), and Cheever Cowden. Muhl challenged Selznick's and Cowden's constant support of Taylor: "She can't sing, she can't dance, she can't perform. What's more, her mother has to be one of the most unbearable women it has been my displeasure to meet."Universal cancelled Taylor's contract just short of her tenth birthday in February 1942. Nevertheless on October 15, 1942, Metro-Goldwyn-Mayer signed Taylor to $100 a week for up to three months to appear as "Priscilla" in the film
Lassie Come Home.
Adolescent star
National Velvet grossed over US$4 million at the box office and Taylor was signed to a new long-term contract that raised her salary to $30,000 per year. To capitalize on the box office success of Velvet, Taylor was shoved into another animal opus, Courage of Lassie, in which a different dog named "Bill", cast as an Allied combatant in World War II, regularly outsmarts the Nazis, with Taylor going through another outdoors role. The 1946 success of Courage of Lassie led to another contract drawn up for Taylor earning her $750 per week, her mother $250, as well as a $1,500 bonus. Her roles as Mary Skinner in a loan-out to Warner Brothers' Life With Father (1947), Cynthia Bishop in Cynthia (1947), Carol Pringle in A Date with Judy(1948) and Susan Prackett in Julia Misbehaves (1948) all proved to be successful. Her reputation as a bankable adolescent star and nickname of "One-Shot Liz" (referring to her ability to shoot a scene in one take) promised her a full and bright career with Metro. Taylor's portrayal as Amy, in the American classic Little Women(1949) would prove to be her last adolescent role. In October 1948, she sailed aboard the RMS Queen Mary travelling to England where she would begin filming on Conspirator, in which she would play her first adult role.Lassie Come Home featured child star
Roddy McDowall, with whom Taylor would share a lifelong friendship. Upon its release in 1943, the film received favourable attention for both McDowall and Taylor. On the basis of her performance in
Lassie Come Home MGM signed Taylor to a conventional seven-year contract at $100 a week but increasing at regular intervals until it reached a hefty $750 during the seventh year. Her first assignment under her new contract at MGM was a loan-out to
20th Century Fox for the character of Helen Burns in a film version of the
Charlotte Bronte novel
Jane Eyre(1944).
During this period she also returned to England to appear in another Roddy McDowall picture for MGM,
The White Cliffs of Dover (1944). But it was Taylor's persistence in campaigning for the role of Velvet Brown in MGM's
National VelvetGrand National.
National Velvet, which also costarred beloved American favorite
Mickey Rooney and English newcomer
Angela Lansbury, became an overwhelming success upon its release in December 1944. Many years later Taylor called it "the most exciting film" she had ever made,
and the film changed her life forever. Although it vastly increased her star power, many of her back problems were traced to when she hurt her body falling off a horse during its filming.
Transition into adult roles
Her first box office success in an adult role came as Kay Banks in the romantic comedy
Father of the Bride (1950), alongside
Spencer Tracyand
Joan Bennett. The film spawned a sequel,
Father's Little Dividend (1951), which Taylor's costar Spencer Tracy summarised with "boring… boring… boring". The film did well at the box office but it would be Taylor's next picture that would set the course for her career as a dramatic actress. In late 1949, Taylor had begun filming
George Stevens'
A Place In The Sun. Upon its release in 1951, Taylor was hailed for her performance as Angela Vickers, a spoiled socialite who comes between George Eastman (Clift) and his poor, pregnant factory-working girlfriend Alice Tripp (
Shelley Winters). The film became the pivotal performance of Taylor's career as critics acclaimed it as a classic, a reputation it sustained throughout the next 50 years of cinema history.
The New York Times' A.H. Weiler wrote, "Elizabeth's delineation of the rich and beauteous Angela is the top effort of her career", and the
Boxoffice reviewer unequivocally stated "Miss Taylor deserves an
Academy Award".Unlike other
child actors, Taylor easily transitioned to adult role Before
Conspirator's 1949 release, a
Time cover article called her "a jewel of great price, a true star sapphire", and the leader among Hollywood's next generation of stars such as
Montgomery Clift,
Kirk Douglas, and
Ava Gardner.
[11] The film failed at the box office, but 16-year-old Taylor's portrayal of a 21-year-old debutante who unknowingly marries a communist spy played by 38-year-old
Robert Taylor, was praised by critics for her first adult lead in a film. Taylor's first picture under her new salary of $2,000 per week was
The Big Hangover (1950), both a critical and box office failure, that paired her with screen idol
Van Johnson. The picture also failed to present Taylor with an opportunity to exhibit her newly realized sensuality.
Taylor became increasingly unsatisfied with the roles being offered to her at the time. While she wanted to play the lead roles in
The Barefoot Contessa and
I'll Cry Tomorrow, MGM continued to restrict her to mindless and somewhat forgettable films such as: a cameo as herself in
Callaway Went Thataway (1951),
Love Is Better Than Ever (1952),
Ivanhoe (1952),
The Girl Who Had Everything (1953) and
Beau Brummel (1954). She had wanted to play the role of Lady Rowena in
Ivanhoe, but the part was given to
Joan Fontaine. Taylor was given the role of Rebecca. When Taylor became pregnant with her first child, MGM forced her through
The Girl Who Had Everything (even adding two hours to her daily work schedule) so as to get one more film out of her before she became too heavily pregnant. Taylor lamented that she needed the money, as she had just bought a new house with second husband
Michael Wilding and with a child on the way things would be pretty tight. Taylor had been forced by her pregnancy to turn down
Elephant Walk (1954), though the role had been designed for her.
Vivien Leigh, almost two decades Taylor's senior, but to whom Taylor bore a striking resemblance, got the part and went to
Ceylon to shoot on location. Leigh suffered a nervous breakdown during filming, and Taylor reclaimed the role after the birth of her child Michael Wilding, Jr. in January 1953.
Taylor's next screen endeavor,
Rhapsody (1954), another tedious romantic drama, proved equally frustrating. Taylor portrayed Louise Durant, a beautiful rich girl in love with a temperamental violinist (
Vittorio Gassman) and an earnest young pianist (
John Ericson). A film critic for the
New York Herald Tribune wrote: "There is beauty in the picture all right, with Miss Taylor glowing into the camera from every angle… but the dramatic pretenses are weak, despite the lofty sentences and handsome manikin poses."
Taylor's fourth period picture,
Beau Brummell, made just after
Elephant Walk and
Rhapsody, cast her as the elaborately costumed Lady Patricia, which many felt was only a screen prop—a ravishing beauty whose sole purpose was to lend romantic support to the film's title star,
Stewart Granger.
The Last Time I Saw Paris (1954) fared only slightly better than her previous pictures, with Taylor being reunited with
The Big Hangover costar Van Johnson. The role of Helen Ellsworth Willis was based on that of
Zelda Fitzgerald and, although pregnant with her second child, Taylor went ahead with the film, her fourth in twelve months. Although proving somewhat successful at the box office, she still yearned for meatier roles.
1955–1979
In 1960, Taylor became the highest paid actress up to that time when she signed a one million dollar contract to play the title role in
20th Century Fox's lavish production of
Cleopatra,which would eventually be released in 1963. During the filming, she began a romance with her future husband
Richard Burton, who played
Mark Antony in the film. The romance received much attention from the tabloid press, as both were married to other spouses at the time.By working overtime, Taylor received more than $2 million for her role.Following a more substantial role opposite
Rock Hudson and
James Dean in
George Stevens' epic
Giant (1956), Taylor was nominated for an
Academy Award for Best Actress four years in a row for
Raintree County (1957) opposite
Montgomery Clift;
Cat on a Hot Tin Roof(1958)
[ opposite
Paul Newman;
Suddenly, Last Summer (1959) with Montgomery Clift,
Katharine Hepburn and
Mercedes McCambridge; and finally winning for
BUtterfield 8 (1960),which co-starred then husband
Eddie Fisher.
1980–2003
Taylor also acted on the stage, making her Broadway and West End debuts in 1982 with a revival of Lillian Hellman's The Little Foxes. She was then in a production of Noel Coward's Private Lives (1983), in which she starred with her former husband, Richard Burton. The student-run Burton Taylor Theatre in Oxford was named for the famous couple after Burton appeared as Doctor Faustus in the Oxford University Dramatic Society (OUDS) production of the Marlowe play. Taylor played the ghostly, wordless Helen of Troy, who is entreated by Faustus to "make [him] immortal with a kiss".Taylor starred in the 1980 mystery film The Mirror Crack'd, based on an Agatha Christie novel. In 1985, she played movie gossip columnist Louella Parsons in the TV film Malice in Wonderland opposite Jane Alexander, who played Hedda Hopper. Taylor appeared in the miniseries North and South. Her last theatrical film was 1994's The Flintstones. In 2001, she played an agent in the TV film These Old Broads. She appeared on a number of television series, including the soap operas General Hospital and All My Children, as well as the animated series The Simpsons—once as herself, and once as the voice of Maggie Simpson, uttering one word "Daddy".
2003–2011
In March 2003 Taylor declined to attend the 75th Annual Academy Awards, due to her opposition to the
Iraq war. She publicly condemned then US President
George W. Bush for calling on
Saddam Hussein to leave Iraq, and said she feared the conflict would lead to "World War III".
Taylor is known to have smoked cigarettes into her mid-fifties. In November 2004, she announced that she had been diagnosed with
congestive heart failure, a progressive condition in which the heart is too weak to pump sufficient blood throughout the body, particularly to the lower extremities: the ankles and feet. She broke her back five times, had both her hips replaced, survived a benign
brain tumor operation and
skin cancer, and faced life-threatening bouts with pneumonia twice, one of which (1961), resulted in an emergency
tracheotomy. Towards the end of her life she was reclusive and sometimes failed to make scheduled appearances due to illness or other personal reasons. She used a wheelchair and when asked about it stated that she had
osteoporosis and was born with
scoliosis.
In 2005, Taylor was a vocal supporter of her friend
Michael Jackson in his trial in California on charges of sexually abusing a child.
He was eventually acquitted when the prosecution collapsed due to a lack of concrete evidence.
On 30 May 2006, Taylor appeared on
Larry King Live to refute the claims that she had been ill, and denied the allegations that she was suffering from
Alzheimer's disease and was close to death.
In late August 2006, Taylor decided to take a boating trip to help prove that she was not close to death. She also decided to make Christie's auction house the primary place for selling her jewelry, art, clothing, furniture and memorabilia.
Six months later, the February 2007 issue of
Interview magazine was devoted entirely to Taylor. It celebrated her life, career and her upcoming 75th birthday.
Taylor was in the news in 2007 for a rumored ninth marriage to her companion Jason Winters, which she dismissed as a rumour.
However, she was quoted as saying, "Jason Winters is one of the most wonderful men I've ever known and that's why I love him. He bought us the most beautiful house in Hawaii and we visit it as often as possible," to gossip columnist
Liz Smith. Winters accompanied Taylor to
Macy's Passport HIV/AIDS 2007 gala, where Taylor was honoured with a humanitarian award. In 2008, Taylor and Winters were spotted celebrating the
4th of July on a
yacht in
Santa Monica, California. The couple attended the Macy's Passport
HIV/AIDS gala again in 2008.
On December 1, 2007, Taylor acted on-stage again, appearing opposite
James Earl Jones in a benefit performance of the
A. R. Gurney play
Love Letters. The event's goal was to raise $1 million for Taylor's AIDS foundation. Tickets for the show were priced at $2,500, and more than 500 people attended. The event happened to coincide with the
2007 Writers Guild of America strike and, rather than cross the picket line, Taylor requested a "one night dispensation." The Writers Guild agreed not to picket the
Paramount Pictures lot that night to allow for the performance.
Other interests
Taylor started designing jewels for The Elizabeth Collection, creating fine jewelry with elegance and flair. The Elizabeth Taylor collection by Piranesi is sold at
Christie's. She also launched three perfumes, "Passion", "White Diamonds", and "Black Pearls", which, together, earn an estimated US$200 million in annual sales. In fall 2006, Taylor celebrated the 15th anniversary of her White Diamonds perfume, one of the top 10 best selling fragrances for more than the past decade.Taylor had a passion for
jewelry. She was a client of well-known jewelry designer
Shlomo Moussaieff. Over the years she owned a number of well-known pieces, two of the most talked-about being the 33.19-carat (6.64 g) Krupp Diamond and the 69.42-carat (13.88 g) pear-shaped
Taylor-Burton Diamond, which were among many
gifts from husband Richard Burton. Taylor also owned the 50-carat (10 g)
La Peregrina Pearl, purchased by Burton as a Valentine's Day present in 1969. The pearl was formerly owned by
Mary I of England, and Burton sought a portrait of Queen Mary wearing the pearl. Upon the purchase of such a painting, the Burtons discovered that the British
National Portrait Gallery did not have an original painting of Mary, so they donated the painting to the Gallery.
Her enduring collection of jewelry has been documented in her book
My Love Affair with Jewelry (2002) with photographs by the New York photographer
John Bigelow Taylor (no relation).
Taylor devoted much time and energy to
AIDS-related charities, and helped raise more than $100 million to fight the disease.
[4] She helped start the
American Foundation for AIDS Research (
amfAR) after the death of her former costar and friend,
Rock Hudson, also created her own AIDS foundation, the Elizabeth Taylor Aids Foundation (ETAF). In 2006, Taylor commissioned a 37-foot (11 m) "Care Van" equipped with examination tables and X Ray equipment and also donated US$40,000 to the
New Orleans Aids task force, a charity designed for the
New Orleans population with AIDS and
HIV. The donation of the van was made by the Elizabeth Taylor HIV/AIDS Foundation and
Macy's.
In the early 1980s, Taylor moved to
Bel Air, Los Angeles, which was her residence until her death. She also owned homes in Palm Springs, London and Hawaii.
Taylor was a supporter of Kabbalah and member of the
Kabbalah Centre. She encouraged long-time friend Michael Jackson to wear a
red string as protection from the evil-eye during his 2005 trial for molestation, where he was eventually cleared of all charges. On 6 October 1991, Taylor had married construction worker
Larry Fortensky at Jackson's
Neverland Ranch. In 1997, Jackson presented Taylor with the exclusively written-for-her epic song "Elizabeth, I Love You", performed on the day of her 65th birthday celebration.
Taylor attended Michael Jackson's private funeral on 3 September 2009.
Spouse & Children
Death
Taylor dealt with many serious health problems during her life, and many times newspaper headlines announced that she was close to death.
In 2004 it was announced that she was suffering from
congestive heart failure, and in 2009 she underwent
cardiac surgery to replace a leaky
valve.
In February 2011, new symptoms related to congestive heart failure caused her to be admitted into
Cedars-Sinai Medical Center for treatment.
Taylor died on March 23, 2011, surrounded by her four children at
Cedars-Sinai Medical Center in Los Angeles, California, at the age of 79.
Trivia
Underwent successful surgery to remove the benign brain tumor. [20 February 1997]
Has appeared solo on the cover of PEOPLE magazine 14 times, second only to
Princess Diana (as of 1996).
Liz was a close friend of Montgomery Clift until his death in 1966. They met for the first time when Paramount decided that she had to accompany him to the premiere of The Heiress (1949) because they were both to star in the upcoming A Place in the Sun (1951). They liked each other right away. Clift used to call her "Bessie Mae". When he had a car accident a few years later that disfigured him, he had just left a party at Liz's house. It was she who found him first, got into the wreck and removed some teeth from his throat that threatened to choke him.
Her perfumes have been Passion (1987), White Diamonds (1991), Diamonds and Rubies, Diamonds and Emeralds, Diamonds and Sapphires and Black Pearls (1995).
At one point during her life-threatening illness while filming
BUtterfield 8 (1960), she was actually pronounced dead.
First actress to earn $1,000,000 for a movie role (in
Cleopatra (1963)).
Has owned some of the world's most magnificent jewelry, including the the 33-carat "Krupp Diamond", the Duchess of Windsor diamond brooch, the Grand Duchess of Russia emeralds, the "LaPeregina Pearl" (which was a Valentine present from her from
Richard Burton), and the famous pear-shaped 69-carat "Burton-Cartier Diamond" Burton gave her in 1969 (subsequently renamed the "Burton-Taylor Diamond."
Stepmother of the late
Michael Todd Jr., who was actually her senior by three years.
Admitted in an interview with
Barbara Walters in the late 1990s that she would still like to act but, because of her medical problems, no movie company will insure her. In addition to many other medical problems, including a benign brain tumor she had removed, she has broken her back four times. This causes her severe pain when walking or standing for long amounts of time.
The stories of her Oscar win for
BUtterfield 8 (1960) have grown legendary. It is generally accepted as truth that she won Oscar voters by a vote of sympathy, because of the recent death of her husband,
Michael Todd, and her near-fatal illness and emergency tracheotomy to save her life (her scar was very visible on Oscar night). Wisecracker and Rat Pack member
Shirley MacLaine, who was favored to win for her role in
The Apartment (1960), said afterwards that "I lost out to a tracheotomy."
Although born in England, her parents were actually Americans who were just working in England. Her mother was of German descent and her dad was of Scots-Irish descent..
Announced in November 2004 she has been diagnosed with congestive heart failure, but vowed to continue raising funds for AIDS charities and to build a Richard Burton Memorial Theatre in Cardiff, Wales.
Along with
Mark Hamill and
Joe Mantegna, she is one of only three actors to play both themselves and a fictional character in
"The Simpsons"(1989). She supplied the voice of Maggie Simpson in the Season Four episode "Lisa's First Word" and portrayed herself in the Season Four episode "Krusty Gets Kancelled".
In 1969,
Richard Burton bought her one of the world's largest and most beautiful diamonds from the jeweler Cartier after losing an auction for the 69-carat, pear-shaped stone to the jeweler, who won with a $1-million bid. The rough diamond that would yield the prized stone weighed 244 carats and was found in 1966 at South Africa's Premier mine.
Harry Winston cut and polished the diamond, which was put up for auction in 1969. Burton purchased the diamond from Cartier the next day for $1,069,000 to give to Taylor. The small premium was the result of the publicity Cartier garnered from selling the stone, then called the "Burton-Cartier Diamond," to the then "world's most famous couple." Ten years later, the twice-divorced-from-Burton Taylor herself auctioned off the "Burton-Taylor Diamond" to fund a hospital in Botswana. The last recorded sale of the Taylor-Burton was in 1979 for nearly $3,000,000 to an anonymous buyer in Saudi Arabia. The ring was the center of the classic
"Here's Lucy" (1968) episode "Lucy Meets the Burtons," in which Lucy Carter, played by
Lucille Ball, gets the famous ring stuck on her finger. The actual ring was used and the episode was the highest rated episode of the very popular series.
Auctioned off her diamond-and-emerald engagement ring from
Richard Burton to raise money for an AIDS charity.
Her third husband
Michael Todd gave her a 29-carat diamond ring during their marriage, a feat topped by fifth husband
Richard Burton when he gave her the 69-carat "Burton-Cartier" (later renamed "Burton-Taylor") diamond. Fourth-husband
Eddie Fisher said that a $50,000 diamond could keep Taylor happy for approximately four days.
Was named a Dame of the British Empire by
Queen Elizabeth II on the Millenium New Year's Honours List, December 31, 1999.
1976: Won the title of "Most Memorable Eyebrows" in a magazine poll. The first runner up was
Lassie.
Became friends with
Marlon Brando while shooting
Reflections in a Golden Eye (1967). Brando agreed to pick up her Best Actress Award for
Who's Afraid of Virginia Woolf? (1966) from the New York Film Critics Circle. When Brando made his appearance at the NYFCC Award ceremony at Sardi's on January 29, 1967, he berated the critics, querying them as to why they hadn't recognized Liz before. He then flew to Dahomey, Africa, where she was shooting
The Comedians (1967) with
Richard Burton to personally deliver the award, a development Burton thought odd. Several years later Brando socialized with the Burtons, visiting them on their famous yacht the Kalizma, while they plied the Mediterreanean. Brando's ex-wife
Anna Kashfi, in her book "Brando for Breakfast" (1979), claimed that Brando and Burton got into a fist fight aboard the yacht, probably over Liz, but nothing of the incident appears in Burton's voluminous diaries. In his diaries, Burton found Brando to be quite intelligent but believed he suffered, like Liz did, from becoming too famous too early in his life and believed their affinity for one another was based on this (both Liz and Marlon would later befriend
Michael Jackson, another superstar-cum-legend who had become too famous too soon). Burton recognized Brando as a great actor, but felt he would have been more suited to silent films due to the deficiency in his voice (the famous "mumble"). As a silent film star, Burton believed Brando would have been the greatest motion picture actor ever.
In 2006 she introduced a line of diamond and precious stone jewelry called "House of Taylor". The designs are said to be inspired by certain favorite pieces in her own collection. She actually wrote a book on jewelry and is considered to be an authority on the subject.
Underwent radiation therapy in 2002 for basal cell carcinoma, a form of skin cancer.
After her son Michael had renounced his American citizenship for possession of marijuana, the U.S. Congress passed a bill to block his deportation (1988).
Her beloved dog, a Maltese named Sugar, died in 2005. Some months later, she purchased Daisy, one of Sugar's descendants.
Was a frequent guest at the infamous "Studio 54"
Announced her retirement from acting in 2003.
Her AIDS organization AMFAR raised $83 million in the twelve years following its creation in 1985.
In 1963, while the highest paid American business executive earned $650,000 and President
John F. Kennedy's salary was $150,000, she received at least $2.4 million.
Has had three hip replacements.
The 1963
Andy Warhol portrait of hers was sold for $ 23,7 million to an anonymous bidder at a Christie's auction in New York (14 November 2007).
After the death of husband
Mike Todd, she and Todd's son sued the company Ayer Lease Plan, Inc. for $5,000,000 charging negligence. They were awarded only $40,000, of which $13,000 went to attorney's fees. The remaining $27,000 went to their daughter, Frances.
In 2006, she donated $500,000 to the New Orleans AIDS Task Force to purchase mobile medical unit for AIDS sufferers in New Orleans.
Taylor and
Shirley Jones are the only actresses to win Oscars for playing prostitutes in the same year: Taylor for
BUtterfield 8 (1960) (Best Actress) and Jones for
Elmer Gantry (1960) (Best Supporting Actress)..
Hospitalized with congestive heart failure and pneumonia in July 2008 and was briefly on a life support machine.
Was a heavy smoker until being mistakenly diagnosed with lung cancer in October 1975.
First husband
Conrad Hilton Jr. was physically abusive, which was partly caused by a drug problem.
Paid for ex-husband
Larry Fortensky's hospital bills when he was in a coma after falling of a balcony in 1999.
On Monday evening, November 8, 2010,
Andy Warhol's "Men in Her Life", a 1962 painting based on an image of Elizabeth Taylor between husbands, was auctioned at Phillips de Pury & Company's new salesroom on Park Avenue in New York City. An unidentified bidder bought it for $63.3 million.
Personal Quotes
[On turning 53 years old] I think I'm finally growing up - and about time.
I had a hollow leg. I could drink everyone under the table and not get drunk. My capacity was terrifying.
My mother says I didn't open my eyes for eight days after I was born, but when I did, the first thing I saw was an engagement ring. I was hooked.
I don't pretend to be an ordinary housewife.
[Cannes, May 2001] If not to make the world better, what is money for?
[On her weight fluctuations] When you're fat, the world is divided into two groups - people who bug you and people who leave you alone. The funny thing is, supporters and saboteurs exist in either camp.
Success is a great deodorant. It takes away all your past smells.
Some of my best leading men have been dogs and horses.
I don't remember much about
Cleopatra (1963). There were a lot of other things going on.
One problem with people who have no vices is that they're pretty sure to have some annoying virtues.
[About
Montgomery Clift] The most gorgeous thing in the world and easily one of the best actors.
You find out who your real friends are when you're involved in a scandal.
[2005] Acting is, to me now, artificial. Seeing people suffer is real. It couldn't be more real. Some people don't like to look at it in the face because it's painful. But if nobody does, then nothing gets done.
[2005] There's still so much more to do. I can't sit back and be complacent, and none of us should be. I get around now in a wheelchair, but I get around.
[on
Michael Jackson] What is a genius? What is a living legend? What is a mega star? Michael Jackson - that's all. And when you think you know him, he gives you more . . . I think he is one of the finest people to hit this planet, and, in my estimation, he is the true King of Pop, Rock and Soul.
[on
John Wayne] His image had as much impact in the world as many of our presidents have had, but Duke was a great actor, a great humanitarian, but always himself. To be a friend was a lifetime thing.
If someones dumb enough to offer me a million dollars to make a picture, I'm certainly not dumb enough to turn it down.
I believe in mind over matter and doing anything you set your mind on.
I, along with the critics, have never taken myself very seriously.
[on
Michael Jackson] He is part of my heart. We would do anything for each other.
[On
Michael Wilding] I'm afraid in those last few years I gave him a rather rough time. Sort of henpecked him and probably wasn't mature enough for him. It wasn't that we had anything to fight over. We just weren't happy.
[On
John Wayne] He is as tough as an old nut and as soft as a yellow ribbon.
[On
Clark Gable] He was the epitome of the movie star -- so romantic, such bearing, such friendliness.
[On
Montgomery Clift] Monty was the most emotional actor I have ever worked with. And it is contagious.
[on Marilyn Monroe] She seemed to have a kind of unconscious glow about her physical self that was innocent, like a child. When she posed nude, it was 'Gee, I am kind of, you know, sort of dishy,' like she enjoyed it without being egotistical.
[On the death of
Michael Jackson] I just don't believe that Michael would want me to share my grief with millions of others. How I feel is between us. Not a public event.
Richard came on the set and sort of sidled over to me and said: "Has anybody ever told you that you're a very pretty girl?" 'I thought, Oy gevalt, the great lover, the great wit, the great Welsh intellectual, and he comes out with a corny line like that! But then I noticed his hands were shaking as if he had Saturday night palsy. He had the worst hangover I'd ever seen. And he was obviously terrified of me. I just took pity on him. I realized he really was human. That was the beginning of our affair.
Mykie's Note:
I am sad that today we lost one of our, if not only real life movie star.I woke up on my mothers couch from falling asleep the night prior to her tapping me, telling me to, "wake up, Liz Taylor just died," and then she walked into the kitchen and made herself a cup of coffee. I then stayed pretty much in bed all morning watching various news Chanel's coverage of her death. I have to say that its a huge lose for me, I loved her and she was just a super human with a huge heart. She had a beauty that has yet to me matched.
As an actress I have had a love /hate relationship with her ever since i was old enough to watch most of her films, and there where some films! Amazing ones, cult ones, and some just way out there. I sometimes thought that she overacted like in SUDDENLY LAST SUMMER, but then amazing in RAINTREE COUNTY or was that her genius? . I guess it's just a matter of taste. She was a tremendous talent leaving behind some of the most memorable characters in film history, Martha? Maggie The Cat? If I where a girl i would want to be just like her, She is far more deserving than Beauty Icon of the week, she will now and always be a goddess.....REST IN PEACE MAGGIE THE CAT!
So as usual I will include Mykethemakeupguy's Selected filmography of the Amazing Elizabeth Taylor of the films that i love and cherish.Most of these are available on DVD some, maybe a task to find but they are out there.
1944- National Velvet
1948- A Date With Judy
Julia Misbehaves
1951-A Place In The Sun
1952 -Ivanhoe
1954-Elephant Walk
Beau Brummel
1956- GIANT
1957-Raintree County
1958- Cat On A Hot Tin Roof
1959-Suddenly Last Summer
1960-Butterflied 8 {Best Actress Academy Award}
1963- Cleopatra
1965- The Sandpiper
1966- Who's Afraid of Virginia Wolf? {Best Actress Academy Award}
1967- Reflections In A Golden Eye
The Comedians
1968-Boom!
Secret Ceremony
1972-X,Y&Zee
1973-Night Watch
Ash Wednesday
1974-The Driver's Seat
