LAST LOOKS With Myke The Makeupguy

- How To Apply Your Blush (in case you didn't already know)
  
  Select a color of blush that resembles the natural glow of your cheeks after you exercise. Consider having a lighter color for day, and a darker tone for a more dramatic evening look. Keep your blush in the same color family as your lipstick.
- Consider the type of blush best suited to your skin type. Cream blush works very well for drier skin, as it can help to keep skin hydrated. Powder blush is better suited to oily skin.
- Complete the application of foundation, powder and all eye makeup before applying blush.
- Use a full, round brush for the application of your powder blush, as it will make for a softer and more professional look than the brush that comes with the blush. This should not be the same brush you use to apply your loose powder.
- Place a small amount of blush on the brush and gently tap off any excess. Or, place a small amount of cream on your middle finger.
- Look in the mirror and smile.
- Place powder blush on the apple of your cheek and gently brush up your cheekbone toward your hairline. Dot cream blush beginning at the apple, and gently blend up the cheekbone toward the hairline.
- Focus your blush at the outside of your face near your hairline if you have a fuller face. For high cheekbones, concentrate blush in the center of your face to accentuate your bones.
- Blend a little blush down your cheek for a little more natural, less dramatic look.
  And remember these are just the simple techniques, i suggested that you try different looks and styles to find what visually your comfortable with. There are now rules, just try to prevent doll cheeks.
  
  Mykie Tip: For a rosier cheek, consider a gel or liquid tints. and remember to wash your hands really good after using these products, they can stain rather easy.
  
  Try to remember the lighter your skin tone, the lighter your blush color should be.
  
  Wash your brushed with a makeup remover or non soap cleaners.
  And avoid following the underside of your cheekbones. which makes for an artificial and not so pretty look, Just saying...

check out my favorite blush that I have been hooked on

lately.

BENEFIT/ Coralista

This is the perfect blush, I love that you can build and customize the shade and density that you want. It has a slight shimmer that leaves a sexy glow and reflects light beautify. BENEFIT

SONIA KASHUK/Beautifing Blush in Flamingo

This is a sweet color, very bright and cheering, if your feeling a little ugh during the day, pop and Lil flamingo on your cheeks, between your amazing smile and this great color you're sure to make a slash!

$6.99 TARGET

TARTE/ Cheek Stain In Tickled

This is my all time favorite cheek stain, ok, in the beginning I was so afraid of using a cheek stain, i was like how do i make this work? Well, I got passed it, and i use a smaller sized blush brush, and i use it a lil' damp. This is a staple for me. just ask Brooke Burns.. TARTE/SEPHORA

NARS/Orgasam Blush

The one the only , still the best! A perfect color application every time.

Sephora

SMASHBOX/ Radiance Blush

I have been in love with this color since the first time I got it in a goodie bag from Lori Taylor at Smashbox. I use this on Brooke Burns all the time. It's bright and very vibrant,but it's controllable color, and wears well with other products.

tip: use this under Tarte Tickled .SMASHBOX

THE BALM/Down Boy

This is new to me, i picked this up a few months ago at Sephora for a film, BULLETPROOF BRIDE . This blush provides an even and smooth texture on your skin. It's light reflecting particles give off a aura of allure. It's great at night, on on film.
Give it a try! SEPHORA $21.00

TARINA TARANTINO

Use this Cheek Palette for a sweet, romatico flush on your apples!

Prefect for every skin tone too. These are highly pigmented so a little goes a long way

$45.00 Sephora

BEAUTY ICON: ANNA KARINA

Anna Karina (born Hanne Karin Blarke Bayer on 22 September 1940) is a Danish film actress, director, and screenwriter who has spent most of her working life in France. Karina is known as a muse of the director, Jean-Luc Godard,one of the pioneers of theFrench New Wave. Her notable collaborations with Godard include The Little Soldier (1960), A Woman Is a Woman (1961), Vivre sa vie(1962), and Alphaville (1965). With A Woman Is a Woman, Karina won the Best Actress award at the Berlin Film Festival

Early life

Karina's mother was a dress shop owner and her father was a ship's captain who left the family a year after she was born. She lived with her maternal grandparents for three years, until she was four. She spent the next four years in foster care when she returned to live with her mother. She has described her childhood as "terribly wanting to be loved", and as a child made numerous attempts to run away from home.

She began her career in Denmark, where she sang in cabarets and worked as a model playing in commercials. At age 14, she appeared in a Danish short film by Ib Schedes, which won a prize at Cannes/ She studied dance and painting in Denmark and for a while made a living selling her paintings. In 1958, after a row with her mother, she hitch-hiked to Paris.

Career/Modeling and meeting with Godard

Karina's first film appearance, although uncredited, dates from 1959, when a soap advertisement in which she appeared as a model was included near the end of Guy Debord's On the Passage of a Few Persons Through a Rather Brief Unity of Time. The image was accompanied by Debord's voice-over: "The advertisements during intermissions are the truest reflection of an intermission from life."

Karina was 17 when she arrived in Paris—indigent and unable to speak French. Living off the streets she got a break while sitting at the cafe Les Deux Magots. She was approached by a woman from an advertisement agency who asked her to do some photos. She became a successful fashion model, meeting Pierre Cardin and Coco Chanel. Chanel helped her devise her professional name, Anna Karina.

Jean-Luc Godard, then a film critic for Cahiers du cinéma, first saw Karina in a series of Palmolive ads in a bathtub covered in soapsuds. He was casting his debut feature film, Breathless. He offered her a small part in the film, but she refused when he mentioned that there would be a nude scene. When Godard queried her refusal, referring to the supposed nudity in the Palmolive ads, she is said to have replied "Are you mad? I was wearing a bathing suit in those ads — the soapsuds went up to my neck. It was in your mind that I was undressed."
In the end, the character Godard reserved for Karina did not appear in the film. The next year, however, Godard offered her a role in Le Petit Soldat (1960). Karina, who was still under 21, had to persuade her estranged mother to sign the contract for her.

Film

Karina won the Best Actress Award at the Berlin Film Festival in 1961 for her interpretation of the character Angela in the film A Woman Is a Woman. Her acting career was not, however, limited to Godard's films, and she went on to a successful collaboration with other well-known directors. Her role in The Nun (1966) directed by Jacques Rivette is considered by some as her best performance. She also acted in Luchino Visconti's The Stranger.

Other notable films include: George Cukor's Justine (1969), Tony Richardson's Laughter in the Dark (1969), Christian de Chalonge's L'Alliance (1970), Andre Delvaux's Rendezvous a Bray (1971), The Salzburg Connection (1972), Franco Brusati's Bread and Chocolate (1973) and Rainer Werner Fassbinder's Chinese Roulette (1976). In 1972 she set up a production company named Raska for her film-directing debut Vivre Ensemble, in which she also acted and which was released in 1973. She wrote and acted in Last Song in 1987. She has since appeared in Haut, Bas, Fragile (1995) by Jacques Rivette and sang in The Truth About Charlie.

Singing career

Karina has also maintained an important singing career. At the end of the 1960s, she scored a major hit with "Sous le soleil exactement" and "Roller Girl" by Serge Gainsbourg. Both songs are taken from the TV musical comedy Anna (1967), by the film director Pierre Koralnik, in which she sings seven songs alongside Gainsbourg and Jean-Claude Brialy. She subsequently recorded an album, Une histoire d'amour, with Philippe Katerine, which was followed up by a concert tour. Karina has also made several appearances on television. In 2005 she released Chansons de films, a collection of songs sung in movies.

Karina wrote, directed and starred in Victoria, a musical road movie filmed in Montreal, Quebec and Saguenay-Lac-St-Jean in 2007. A review by Richard Kuipers in Variety praised it as "a pleasant gambol through the backwoods of Quebec...Given plenty of room to work off each other, the members of this fine ensemble keep pic on track...Big plus is the music and heartfelt songs by Philippe Katerine".

Personal life

Karina and Godard married on 3 March 1961, during the shooting of A Woman Is a Woman, and divorced in 1965. After Godard, she was married to scriptwriter-actor Pierre Fabre(1968–1973), actor-director Daniel Duval (1978–1981) and director Dennis Berry (1982–1994).

Trivia

Same birthday as actress Catherine Oxenberg.

Friends with actresses Bernadette Lafont, Macha Méril, Alexandra Stewart and Françoise Brion.

Has written three novels.

Appeared in a short film when she was 14, which later won a prize at the Cannes Film Festival.

Studied dance and painting in Denmark.

Fluent in five languages French, Danish, English, Swedish and Italian.

Has worked with film directors such as Agnès Varda, Roger Vadim, Valerio Zurlini, Jacques Rivette, George Stevens, Volker Schlöndorff,George Cukor and Rainer Werner Fassbinder.

Friends with Jean-Claude Brialy and Jean-Paul Belmondo.

In 1972 set up a production company named Raska.

Recorded the soundtrack album for her TV musical film Anna (1967) (TV) with songs written by Serge Gainsbourg and accompanied by her co-star and friend Jean-Claude Brialy on the vocals in a couple of songs.

Companion of Ulli Lommel in the late 1970s. The couple made few movies together, including Rainer Werner Fassbinder 's Chinese Roulette(1976) and Monkey Business (1978), directed by Lommel.

In the 1980s, she lived in Los Angles for a while where she met her fourth husband, Dennis Berry.

Husband Dennis Berry was once married to Jean Seberg (1972-1978) whom Anna's first husband, Jean-Luc Godard, directed in Breathless(1960) (aka Breathless).

Member of the jury at the Montreal International Film Festival in 2005.

Made 8 movies with ex-husband Jean-Luc Godard: Vivre Sa Vie (1962), A Woman Is a Woman (1961), The Oldest Profession (1967), Pierrot le Fou (1965), Le Petit Soldat (1963), Made in U.S.A (1966), Band of Outsiders (1964) and Alphaville (1965).

Daughter-in-law of John Berry.

Personal Quotes

Some people have scripts and scripts and lots of scripts, and they change it all the time. Even though [Jean-Luc Godard] had no script, he had it all in his heart and in his brain. He can explain it to you in a way where even if you get the dialogue five minutes before in the morning and you have to shoot it later, at least you have an idea about it, because he takes his time to explain things and to do the movements with you. There was always lots of rehearsal.

When I had my cover on Elle magazine, everyone wanted to work with me, you know... I earned a lot of money in six months, because I did Coca-Cola for England, Palmolive, Pepsodent for the Germans. Everything I could find. So that's how Jean-Luc Godard saw me, because on one side of the Champs Elysées I was selling one brand of soap, and on the other I was selling Palmolive.