Monday, June 27, 2011

EYELINER: A Brief History


                 A Brief History of Eyeliner



The history of eyeliner dates back to ancient civilizations and has been worn by both men and women alike.  Though the ingredients and application methods have changed, the look remains oddly consistent.  Take a look at the evolution of the modern day eyeliner.




Elizabeth Taylor As Cleopatra

Ancient Egyptians

As early as 10,000 BC Egyptians were donning various cosmetics not only for aesthetics but to protect the skin from the scorching desert sun.  Research has also speculated that eyeliner was worn to protect the wearer from the evil eye. 
A prominent characteristic of the Egyptian facade for both men and women was the heavily lined eye.  Ancient Egyptians used kohl eyeliners produced with a variety of materials including lead, copper ore and antimony, a toxic metallic element.  The elements were ground into a paste and applied with rounded sticks of wood, bronze, or glass created for the purpose. Kohl pots were common and used to crush and serve as cosmetic containers for the eye makeup.  The widespread use of kohl is historically documented in the sheer number of kohl pots found among burial belongings from the late Old Kingdom to the end of the New Kingdom (2345 to 1070 B.C).


1920's

Clara Bow


The discovery of King Tut's tomb in 1922 fascinated people worldwide, especially American women.  They had finally won the right to vote and thanks to the influence of actresses like Clara Bow, seemed to assert their independence more freely.  Gone were the days of pinching the cheeks for a subtle blush.  Fashionable young women began to recreate the Egyptian eye by using eyeliner liberally.



Rita Hayworth

1940's

The face of the war era woman was clean and simple.  Though very little if any eyeliner was worn around the eyes, the shortage of items during the World War I led to an interesting use of eyeliner.  Jackets with short skirts became fashionable for young women but silk stockings were unavailable.  Enterprising young women, accustomed to making do, used black eyeliner pencil to draw a black line up the back of their legs to simulate a stocking seam.




Brigutte Bardot
Elizabeth Taylor
1960's
The 1960s brought about the invention of liquid eyeliner and it was applied to create thick black lines around the eyes in the fashion industry. The sixties saw the reemergence of the cat eye.












Today

Today eyeliner is commonplace and comes in a variety of colors and applications.  Many women add it to their daily makeup routines.  Today, eyeliner is also used liberally as an artistic expression of statement for gothic and emo styles. And lets face it, today we see so many styles of eyeliner, winged, cat, smokey you name it. what goes around come around they say.

Saturday, June 25, 2011

DARK, SEXY, NAIL POLISH WITH A BITE

Something New Black Phoenix


DESTROYING ANGEL CLAW POLISH
Fearsome fungi! A very deep, very dark mushroom brown.


BLOOD COUNTESS CLAW POLISH

Gloss
Bloodbath red: a ghoulish maroon.


BORDELLO CLAW POLISH

Metallic Flake Pearl
The bright raspberry of Dance Hall flocked wallpaper. Perfect for any Painted Lady.


CROQUET CLAW POLISH

Gloss
Flamboyant flamingo pink.


DESTROYING ANGEL CLAW POLISH

Gloss
Fearsome fungi! A very deep, very dark mushroom brown.


EMBALMING FLUID CLAW POLISH

Sheer Glitter
Nearly sheer glittery glow-in-the-dark polish! Utilize for some gloriously ghoulish layering. Despite what the name implies, this formula, like all the others we offer, does not contain formaldehyde! 


HELL'S BELLE CLAW POLISH

Metallic Pearl
A smoky beige-pink pearl flecked with a golden metallic sheen.


LADY MACBETH CLAW POLISH

Gloss
Deep brown-red; the color of dried blood.


MME. MORIARTY CLAW POLISH

Gloss
The wet crimson red of arterial spray. 


MAIDEN CLAW POLISH

Gloss
A semi-sheer virginal nude with a hint of pink..


MALEDICTION CLAW POLISH

Gloss
Abyssal black.


MIDNIGHT ON THE MIDWAY CLAW POLISH

Metallic Pearl
Rich midnight plum pearl flecked with a silver metallic sheen.


MORGAUSE CLAW POLISH

Metallic Pearl
A regal, ambitous plum metallic pearl.


OPIUM POPPY CLAW POLISH

Gloss
Narcotic pink! The fiery fuchsia of delirium.


ROBOTIC SCARAB CLAW POLISH

Metallic Pearl
Oil-rubbed bronze.


SED NON SATIATA CLAW POLISH

Gloss
Lust captured: pulsating deep burgundy.


SMOKESTACK CLAW POLISH

Metallic Pearl
Sooty, gunmetal-tinged billows of opaque, near-black shimmer.


Synesthesia! These are our interpretations of Black Phoenix Alchemy Lab perfumes, expressed through color.

Black Phoenix nail lacquer is quick drying and chip resistant. Our formula is free of toluene, DBP, and formaldehyde, providing you with excellent long-lasting color without sacrificing your health or the environment to do so! 

Please note:
These polishes are not scented with BPAL perfumes. The perfumes were utilized as inspirations.

We have done our best to accurately represent the color and texture of the polishes. However, the appearance of the colors on a computer may vary from monitor to monitor.



This is an authentic Black Phoenix Alchemy Lab product. This bottle is pristine, never opened, and comes straight from the Lab.



Please use caution and common sense when using essential oils or any of our highly concentrated oils and fragrances as they may cause skin irritation if not diluted, and may be toxic if taken internally.

Black Phoenix Alchemy Lab specializes in formulating intriguing, compelling body and household blends with a dark, romantic, and sexual tone. Our scents run the aesthetic gamut of romance era, Renaissance, Medieval and Victorian formulas, pagan and mythological blends, and horror / Gothic-themed scents. By utilizing our knowledge of homeopathy and aromatherapy, the conceptual theories of hermetic alchemy, and the aesthetic artistry of perfumery, we have mastered the art of encapsulating allegorical ideas into singular olfactory experiences.

Inspired by a vast range of influences, from the passion and decadence of the Fin de Siècle movement to the ghastliest of Lovecraftian monstrosities, we specialize in eliciting emotional responses through perfume and creating unique, masterfully molded scent environments that capture legends and folklore, poetry, and the stuff of dreams and nightmares.

Though we are at times campy, and sometimes very tongue-in-cheek, we never lose sight of our one true goal: moving the soul and spirit through the unbridled artistry of scent, and remaining unbound by conventional fashion.

Simply put: this is no ordinary perfume house.

We pride ourselves on the artistry of our products, and our skill in their creation. We have over fifteen years of experience in the field, and our joy is our work. All of our products are hand-blended here in our laboratory. Integrity and dedication is vitally important to us, and we do our best to provide the best possible product and slavishly good service to all our clients.

We believe in compassionate consumerism, and in giving as much back to the community as we can through charitable contributions, volunteer work, and by supporting fair trade and self-sustaining growers whenever possible. We participate in the Green Power for a Green LA program at work and in our homes, and have participated in fundraisers for many fine organizations, including the Comic Book Legal Defense Fund, the Orangutan Foundation UK, AIDS Project Los Angeles, Covenant House, the Red Cross, and the Humane Society.

With the exception of our honey-based products, everything that comes from BPAL is vegan, and we abhor animal testing. All products are tested on staff, family, and friends. 

Our goal, both at Black Phoenix Alchemy Lab and Black Phoenix Trading Post, is to share the things that we love through the products we create while participating in imaginative, conscience-driven capitalism. 

Our sister-store, Black Phoenix Alchemy Lab, also has an etsy presence:

Thursday, June 23, 2011

Beauty Icon Of The Month: Joey Heatherton

BEAUTY ICON OF THE MONTH:   JOEY HEATHERTON


Early life
Christened Davenie Johanna Heatherton and nicknamed "Joey," she was raised in Rockville Centre, New York, a suburb of New York City. There she attended St. Agnes Cathedral School, a Catholic grade and high school. Her father Ray Heatherton was a Broadway star (Babes in Arms) and television pioneer.


Career

Heatherton began her career as a child actress, appearing in 1959 as a member of the ensemble and an understudy in the original Broadway production of The Sound of Music, and received her first sustained national exposure that same year as a semi-regular on The Perry Como Show, playing an exuberant teenager with a perpetual crush on Perry Como. She also appeared extensively on The Dean Martin ShowDean Martin invited her to perform numerous times on the show, starting with the premiere episode of September 16, 1965. From June to September 1968, along with Frank Sinatra, Jr., she co-hosted Martin's summer substitute musical comedy hour, Dean Martin Presents the Golddiggers. She also made multiple appearances on 1960s television shows such as The Andy Williams ShowThe Hollywood PalaceThe Ed Sullivan Show, and This is Tom Jones. She first appeared on television on her father's show The Merry Mailman, a popular children's show in New York.

In May 1969, she appeared on the Tonight Show, where she energetically coached Johnny Carson on the finer points of dancing "The Frug." During that era, she also appeared in Bob Hope's USO troupe between 1965 and 1977, entertaining the GIs with her singing, dancing and provocative outfits. Excerpts from the USO tours were televised as part of Hope's long-running series of NBC monthly specials, culminating in the top-rated Christmas shows, where Heatherton's segments were regularly featured.


Acting

Throughout the 1960s, Heatherton interspersed her variety show appearances with dramatic turns in three theatrical films and on numerous episodes of series such as Route 66(playing a 15-year-old temptress in the November 18, 1960 teleplay), Mr. NovakThe VirginianChanningArrest and TrialThe Nurses, and Breaking Point.

Heatherton also appeared in the movies Twilight of Honor (1963), Where Love Has Gone, (1964) and My Blood Runs Cold (1965), alongside veteran actors such as Claude RainsBette Davis and Susan Hayward. In Twilight of Honor, her film debut, she played the young wife of an accused murderer (Oscar-nominee Nick Adams).
The only one of the three films to be made in color, 1964s Where Love Has Gone, was a big-budget melodrama based on Harold Robbinsroman-a-clef about the scandalous Lana TurnerCheryl CraneJohnny Stompanato manslaughter case, with Heatherton playing the daughter of the Turner character (Susan Hayward).
Finally, she appeared in Blood, the second of three 1965 horror-suspense films directed by William Conrad, alongside Troy Donohue.


1970s–present

In 1972, Heatherton had a #24 pop hit with the 1957 Ferlin Husky song "Gone". Her album, The Joey Heatherton Album, did not do as well on the charts as her single.

By the 1970s, Heatherton's career was slowing down, but she was still popular enough to do a series of TV ads for RC Cola and Serta Mattresses. A brief high point came in July 1975 when she headlined Joey & Dad, a four-week Sunday night summer replacement series for Cher's 1975-76 variety show in which she performed alongside her own father. Each episode would involve Ray Heatherton waxing nostalgic over life with his daughter, while rooting through his attic.



In subsequent years, Heatherton performed in Las Vegas and acted in a few scattered TV shows and films, including the 1972 Bluebeard (with Richard Burton in the title role). Additionally, she played the starring role as Xaviera Hollander in 1977's Watergate-inspired The Happy Hooker Goes to Washington.

In April 1997, Heatherton appeared nude in an issue of Playboy. Her most recent acting role was in the 2002 Damon Packard film Reflections of Evil.]

Personal life

In 1969, Heatherton married Lance Rentzel, a wide receiver for the Dallas Cowboys. In 1970, Rentzel was arrested for indecent exposure in front of a 10-year-old girl. They separated shortly afterward and divorced in 1972.

Trivia
Joey's brother, Dick Heatherton, was a prominent radio disc jockey in New York, on CBS-FM in the 1970s and 1980s.
Father is Ray Heatherton
Joey Heatherton was the Mystery Guest on the November 7, 1965, episode of "What's My Line?" (1950) Longtime panelist Dorothy Kilgallen, 52, was found dead just hours after the program aired live. Four years to the day after Dorothy's death, Joey appeared as a guest in a "Color Honeymooners" episode of "The Jackie Gleason Show" (1966) which originally aired November 8, 1969.

She had a brief, basically unsuccessful recording career, with a minor hit covering Ferlin Husky's "Gone" in 1972.
Measurements: 34-20-32 (at age 20 in 1965), (Source: Celebrity Sleuth magazine)
Subject of Jill Sobule's song "Joey" (2004).
Writing about a USO tour, Bob Hope described Joey and her costume as "nine feet of girl in four feet of leopard skin.".

In the 1960s her brother, Dick Heatherton, was a disk jockey on WPOP in Hartford, Connecticut.
Was largely the basis for, and part namesake of, the "Lola Heatherton" character as played by Catherine O'Hara on "SCTV" (1976) and "SCTV Network" (1981).

















Mykie Note: Joey Heatherton Oh how i love thee, ever since i was a small boy, i guess I must have watched The Happy Hooker on late night cable on the Z channel back in the day. I always felt she was way more talented then she was allowed to be, not only an under ratted actress, she was an amazing dancer and yes singer.
To me she was very Twiggy-esque, I have the Chance to meet her a few years back at one of the wrap party's for a film i just completed and she was amazing, "Hey I heard you can really shake it out there, wanna dance? She said to me, Hum, Yes I do, and we had the most amazing time, I mean I got to dance with Joey Heatherton, I could have just died right there. She will always be special for me, since then I have had the pleasure of her company , she still has the pipes too, singer to the end. Love, peach and Joey Heatherton forever!

My favorite films from Joey Heatherton


1964- Where Love Has Gone
1965- My Blood Runs Cold
1972- Bluebeard
1977-The Happy Hooker Goes To Washington













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