BEAUTY ICON OF THE WEEK~ CLAUDIA CARDINDALE

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Date of Birth

15 April 1938, Tunis, French Protectorate Tunisia [now Tunisia] 

Birth Name

Claude Joséphine Rose Cardinale 

Height

5' 8" (1.73 m) 

In 1957, Cardinale won the 'Most Beautiful Italian Girl in Tunisia' contest of the Italian embassy, which brought her to the traditional Venice Film Festival. Her feature film debut was Goha (1957), a French-Tunisian co-production. After attending the Centro Sperimentale di Cinematografia of Rome for two months, she signed a 7-year contract with the Vides studios. In 1958, she had a role in the major international success I soliti ignoti. Her early career was largely managed by producer Franco Cristaldi, a studio producer to whom Cardinale was married from 1966 until 1975.

Throughout the 1960s, she appeared in some of the most acclaimed Italian and European films of the period, including Luchino Visconti'sRocco e i suoi fratelli (Rocco and His Brothers 1960) and Il Gattopardo (The Leopard, 1963), Philippe de Broca's Cartouche (1963), Federico Fellini's Otto e mezzo (8½ 1963), and Sergio Leone's epic Once Upon a Time in the West (1968). In her early Italian films, another actordubbed for Cardinale, because her naturally deep voice (which later became one of the reasons of her success) contrasted with her feminine appearance. Not until 8½ was she allowed to dub her own dialogue.^[2]

Because Cardinale was not interested in leaving Europe for extended periods of time, she never made a real attempt to break into the American market. The list of her Hollywood films includes The Pink Panther (1963), Circus World (1964); Blindfold (1965); and The Professionals (1966).

A photograph of Cardinale was featured in the original gatefold artwork to Bob Dylan's album Blonde on Blonde (1966), but because it was used without Cardinale's permission, the photo was removed from the cover art in later pressings.^[3][4]

Her performance in Visconti's Vaghe stelle dell'Orsa (known as Sandra in the United States and Of A Thousand Delights, 1965) is regarded as mesmerizing, playing a Holocaustsurvivor who has an incestuous relationship with her brother. In Comencini's heart-breaking La storia (from Elsa Morante's novel), Cardinale plays a widow raising a son during World War II, and gave another well-received performance. Other memorable performances include Valerio Zurlini's Girl with a Suitcase and Mauro Bolognini's Libera.

Cardinale, now considered an icon of European cinema, remains active. Her later films include Qui comincia l'avventura (1975), Fitzcarraldo (1982), Un homme amoureux (1987), Mayrig(1991), and And now... Ladies and Gentlemen (2002).

Cardinale was honored as a tributee at the 2010 Telluride Film Festival and was the guest of honor at the 47th Antalya "Golden Orange" International Film Festival.^[5] She won the Golden Orange Best Actress Award for the movie of Signora Enrica (2010) from Antalya Film Festival in Turkey.

Claudia Cardinale was married to Italian film producer Franco Cristaldi from 1966 until their divorce in 1975, and now lives with Pasquale Squitieri, an Italian film director who has been her companion since 1975.^[6]

She has two children: Patrizio, who was born out of wedlock to a Frenchman when she was 17 and later adopted by her longtime companion Pasquale Squitieri, and Claudia, whose biological father is Squitieri.^[7]

Claudia Cardinale lives in Paris. She is also reported to have had an affair with former French President Jacques Chirac.^[8]

Cardinale is a liberal with strong political convictions. She is involved in many humanitarian causes, including pro-women and pro-gay issues, and has frequently stated her pride in her Tunisian and Arab roots - as evidenced by her book 'Ma Tunisie' and her appearance as herself in the Tunisian film Un été à La Goulette ("A Summer in La Goulette").

She wrote an autobiography, Moi Claudia, Toi Claudia. In 2005, she also published a French-language book, Mes Etoiles, about her personal and professional relationships with many of her directors and co-stars through her nearly 50 years in show-business.

Cardinale has been a regular attendee of the Academy Awards. In 2002, she was awarded an honorary Golden Bear award of the Berlin Film Festival, and previously in 1993 she was awarded even an honorary Golden Lion at the Venice Film Festival.

Cardinale has been a UNESCO good will ambassador for the Defense of Women's Rights since 1999. In 2006 (World Water Year) she symbolically extended such a role for the Defense of the Rights of the Absolute Woman : Mother Earth while declaring her support forPowerstock, a sustainable electronic music festival that proposes a "water-consciousness" for youth culture and seeks to make sustainability an integral part of mainstream culture.

 

Trivia

She has two children: Patrizio, who was born out of wedlock to mysterious Frenchman when she was 17 and later adopted by her former husband Franco Cristaldi, and Claudia, whose biological father is her longtime companion Pasquale Squitieri.

1957: At the Italian Embassy in Tunis, she was voted the most beautiful Italian girl in Tunisia. Her prize was a trip to Venice during the Venice Film Festival. After the festival, she was offered movie roles, however she initially refused them and returned to Tunis. Six months later, a producer sold her on a career in movies, and she went to Rome with her parents, two brothers and sister, taking a home in Castel Giubileo, a small town outside the city.

She signed a contract forbidding her to cut her hair, marry or gain weight. Due to this contract, she told everyone that her new born son (out of wedlock) was her baby brother. She did not reveal to the child that he was her son, until he was 19 years old.

Measurements: 37C-23-37 (Source: Celebrity Sleuth magazine)

Vital statistics in August 1976: 38-24-37.

Member of jury at the Cannes Film Festival in 1993

Has lived together with Pasquale Squitieri since 1975.

While her longtime companion lives in Rome, she calls Paris her home due to her popularity in France.

Has been UNESCO good will Ambassador for the Defense of Women's Rights since 1999.

As she had a deep voice and spoke Italian with a heavy French accent, her voice was dubbed in her early movies. The Pink Panther (1963) was meant to be her first English speaking film, however, in the end, her voice was again dubbed.

1965: Told a reporter she liked a dry martini before dinner, caviar for hors d'oeuvres, lobsters or oysters for seafood, or a steak alla Fiorentina. When it came to wine, her preference was for a rich, red wine.

Preferred to be called by her initials: CC.

Originally intended to become a teacher in Tunis, North Africa.

Her father was an Italian railroad worker. Despite having an Italian father, she grew up speaking French after her French mother.

Her mentor was her late husband Franco Cristaldi.

Speaks French, Italian, English, Spanish and Arabic (from having been raised in Tunisia).

Long considered one of the world's great beauties, she has appeared on more than 900 magazine covers in over 25 countries.

Good friends with 'Brigitte Bardot'.

Personal Quotes

never felt scandal and confession were necessary to be an actress. I've never revealed myself or even my body in films. Mystery is very important.

If you're not English, you're a foreigner - so you must be sexy. it's an old British cliché.

[on acting] But to do this kind of work, you have to be very strong, otherwise you lose your personality, your identity. You don't know who you are. It's fantastic because I've been living thousands of lives, not only my life.

I wasn't speaking a word of Italian until I was 18. They had to dub my voice in my first Italian picture!

Here is my selected films that I think you all will enjoy

8½ (1963) The Leopard (1963) The Pink Panther (1963) The Professionals (1966) Don't Make Waves (1967) Once Upon a Time in the West (1968 Conversation Piece (1974) Jesus Of Nazareth (1977) Fizcarraldo (1981

BEAUTY ICON of The Week: Jane Russell

The girl with the summer-hot lips... and the winter-cold heart.

Ernestine Jane Geraldine Russell was born on June 21, 1921 in Bemidji, Minnesota. Her father was an US Army lieutenant and her mother had been a student of drama and an actress with a traveling troupe. Once Mr. Russell was mustered out of the service, the family took up residence in Canada, but moved to California when he found employment there. The family was well-to-do and although Jane was the only girl among four brothers, her mother saw to it that she took piano lessons. In addition to music, Jane was interested in drama much as her mother had been and participated in high school stage productions. Upon graduation, Jane took a job as a receptionist for a doctor who specialized in foot disorders. Although she had originally planned on being a designer, her father died and she had to go to work to help the family. Jane modeled on the side and was very much sought-after especially because of her figure.

She managed to save enough money to go to drama school, with the urging of her mother. She was ultimately signed by Howard Hughes for his production of The Outlaw (1943) in 1941, the film that was to make Jane famous. The film wasn't a classic by any means, but was geared to show off Jane's ample physical assets. Although the film was made in 1941, it wasn't released until two years later and then only on a limited basis due to the way the film portrayed Jane's assets. It was hard for the flick to pass the censorship board. Finally, the film gained general release in 1946. The film was a smash at the box-office.

Jane didn't make another film until 1946 when she played Joan Kenwood in Young Widow (1946). She had signed a seven year contract with Hughes and it seemed the only films he would put her in were those that displayed Jane in a very flattering light due to her body. Films such as 1951's His Kind of Woman (1951) and The Las Vegas Story (1952) did nothing to showcase her true acting abilities. Probably the pinnacle of her career was in 1953's Gentlemen Prefer Blondes (1953) as Dorothy Shaw, with Marilyn Monroe. This film showed Jane's comedic side very well. Jane did continue to make films throughout the 1950s, but the films were at times not up to par, particularly with Jane's talents being wasted in forgettable movies in order to show off her sexy side. Films such as Gentlemen Marry Brunettes (1955) and The Revolt of Mamie Stover (1956) did do Jane justice and were able to show exactly the fine actress she was.

After The Fuzzy Pink Nightgown (1957) (a flop) in 1957, Jane took a hiatus from films, to dabble a bit in television, returning in 1964 to filmFate Is the Hunter (1964). Unfortunately, the roles were not there anymore as Jane appeared in only four pictures during the entire decade of the sixties. Her last film of the decade was 1967's The Born Losers (1967). After three more years away from the big screen, she returned to make one last film called Darker Than Amber (1970) in 1970. Her last play before the public was in the 1970s when Jane was a spokesperson for Playtex bras. Had Jane not been wasted during the Hughes years, she could have been a bigger actress than what she was allowed to show.

Trivia

Received the Women's International Center (WIC) Living Legacy Award in 1989.

Howard Hughes, in addition to designing airplanes, is said to have designed a "cantilever bra" to take care of her physical endowments.

Discovered by Howard Hughes working as a receptionist for his dentist.

Went to Van Nuys High School (Los Angeles).

In the early 1950s, made a television commercial for Lustre Creme's shampoo campaign.

She and husband Bob Waterfield adopted a baby girl, Tracy, on 2/15/52.

She and husband Bob Waterfield adopted a 15-month-old British boy, Tommy Kavanaugh, in December of 1952.

First husband Bob Waterfield was her high school sweetheart.

Through her organization, World Adoption International Fund (WAIF), Russell has placed 51,000 children with adoptive families.

Her breasts are the namesake for 'The Jane Russell Peaks' in Alaska.

On 2 February 1967, Russell filed for divorce from Bob Waterfield; it was granted in July 1968.

Bob Hope once introduced her as "the two and only Jane Russell".

In 1955 she and husband Bob Waterfield formed Russ-Field Productions. Under this banner, they made Gentlemen Marry Brunettes (1955),The King and Four Queens (1956), Run for the Sun (1956), and The Fuzzy Pink Nightgown (1957).

Went to high school with James Dougherty, Gentlemen Prefer Blondes (1953) co-star Marilyn Monroe's first husband.

Married John Calvin Peoples in a "kaftan" ceremony in Santa Barbara, California.

A born-again Christian decades before the term was coined, she held weekly Bible study at her home which was attended by some of the industry's biggest names.

Unable to bear children, Russell championed the passage of the Federal Orphan Adoption Amendment of 1953, which allowed children of American servicemen born overseas to be placed for adoption in the United States.

Measurements: 38D-25-36 (definitive for majority of her career), 36D-26-36 (during The Outlaw (1943)), 38D-25-39 (on set of The Paleface(1948) in 1948), 38 1/2D-25 1/2-38 1/2 (for "Photoplay" pin-up in 1953), 39D-26 1/2-37 1/2 (at her bustiest in mid-1950s), 37-27-37 (self-described in 1990), (Source: Celebrity Sleuth magazine).

Howard Hughes is reported to have said of her stardom, "There are two good reasons why men go to see her. Those are enough." (Source: quoted in the book "The Humour of Sex" by Robert Hale.)

Her three adopted children are Tracy, Thomas and Buck.

Is portrayed by Marla Carlis in The Amazing Howard Hughes (1977) (TV), by Renee Henderson in "Blonde" (2001), and by Erika Nann in Norma Jean & Marilyn (1996) (TV).

Attended the inauguration of President Dwight D. Eisenhower in 1953.

Leonardo DiCaprio visited Jane while filming The Aviator (2004) in order to find up close and personal what Howard Hughes was really like.

In 2006 (at age 84), Jane put together a musical show entitled "The Swinging Forties" that plays twice a month at the Radisson Hotel. The show features herself and about a dozen local Santa Maria residents, including a choir director, lay preacher and retired police officer. She formed the show out of boredom and because there was nothing much going on in town for the older folks to do.

The troops in Korea named two embattled hills in her honor.

A political conservative, she sided publicly with an industry panel that urged the removal of certain provocative scenes in one of her films.

Has macular degeneration and wears hearing aids in both ears.

Retired to Santa Maria, California after the death of her third husband in 1999 to be close to her youngest son.

In the late 1930s she was a member of Max Reinhardt's Theatrical Workshop and attended Maria Ouspenskaya's Drama School for six months.

As a little girl Jane was a tomboy. She had four brothers: Tom, Kenny, Jamie and Wally.

Profiled in "Killer Tomatoes: Fifteen Tough Film Dames" bu Ray Hagen and Laura Wagner (McFarland, 2004).

Her favorite book is the Bible. She reads a passage from it every day.

A longtime pro-life activist, she opposes the use of abortion in any circumstance including rape or incest.

Member of America's Future.

Has been a vocal supporter of the Iraq war since its beginning in March 2003.

Has a street named after her in Iowa City, Iowa.

In 1942, Jane had an affair with actor John Payne. The affair is detailed in her 1986 autobiography, "My Path and My Detours". The affair ended when Jane realized that she was still in love with her high school sweetheart, football player Bob Waterfield, whom she married in April of 1943 (they divorced in 1967).

Personal Quotes

"Yes, Howard Hughes invented a bra for me. Or, he tried to. And one of the seamless ones like they have now. He was way ahead of his time. But I never wore it in The Outlaw (1943). And he never knew. He wasn't going to take my clothes off to check if I had it on. I just told him I did".

"They held up The Outlaw (1943) for five years. And Howard Hughes had me doing publicity for it every day, five days a week for five years".

Sometimes the photographers would pose me in a low-necked nightgown and tell me to bend down and pick up the pails. They were not shooting the pails.

The girl with the summer-hot lips... and the winter-cold heart.

The music these kids play nowadays, it's nothing but screaming and pounding drums! You can't hear the words, and that's just as well, because the words stink!

Asked what she thinks of Hollywood liberals George Clooney, Susan Sarandon and Sean Penn: "I think they're not well."

Asked why modern Hollywood is so liberal: "I think the Sixties have happened between when I was there and now. A lot of the actors and actresses, their parents were Sixties people and they just have a Democratic left wing - they flipped."

I have always been a Republican, and when I was in Hollywood long ago, most of the people there were Republican. The studio heads were all Republican, my boss Howard Hughes was a raving Republican, and we had a motion picture code in those days so they couldn't do all this naughty stuff. We had John Wayne, we had Charlton Heston, we had man named Ronald Reagan, we had Robert Mitchum, James Stewart,Clark Gable.

My son said, 'Mother you can't say the word bigot because that has to do with nationalities and things.' I said, 'No darling, it's a verb. It means I can't stand these people who are trying to take the Ten Commandments off the wall, take prayer out of school and take prayer out of football games.' It's too ridiculous. The Lord put this country together or we wouldn't be like we are.

"These days I am a teetotal, mean-spirited, right-wing, narrow-minded, conservative Christian bigot, but not a racist." (2003)

People should never, ever have an abortion. Don't talk to me about it being a woman's right to choose what she does with her own body. The choice is between life and death.

Describing her shock at finding herself pregnant at eighteen: "The only solution was to find a quack and get an abortion. I had a botched abortion and it was terrible. Afterwards my own doctor said, 'What butcher did this to you?' I had to be taken to hospital. I was so ill I nearly died. I've never known pain like it."

I want to save America. I do not want a one-world order, a one-world government, at all. I think that our Founding Fathers had exactly the right idea, and we've got a great country, and let's go back to God. (2001)

I've been working a lot to get the Bible back in schools because I think a great deal of our loss of wisdom as a society results from the fact that a lot of children have never read the Bible. I've been helping Elizabeth Ridenour [of the National Council on Bible Curriculum in Public Schools] get the Bible back in school by going on television shows for her. She's gotten it into 38 states and 117 school districts, and as a result of this effort 60,000 children have now been able to read the Bible.

I liked Condoleezza Rice. And Ann Coulter was great. She was so strong and forceful. But people kept asking me, 'You're from Hollywood. Why are you here?' I very much wanted to tell them, as a whole group, that in my day Hollywood was Republican. All the heads of the studios were Republicans, and we were fighting communism. You had John Wayne and Charlton Heston and myself and Bob Mitchum, and PresidentRonald Reagan came right out of that same group. There were a few Democrats in Hollywood, but we thought they were crazy.

Music has gone just as bananas as the movies. But kids are learning swing and going back to the music of the forties. There's a swing club near my home in Santa Barbara, and the kids are fantastic. There's no drinking, no smoking, just dancing all night long.

My father was a Republican, and he couldn't stand what Franklin Delano Roosevelt was doing to the country. I always say I'm a mean-spirited narrow-minded right-wing, conservative Christian ... I start out with that, and if you don't like it, you can lump it. I am not politically correct.

I can't tell you how distressed I've been during the past seven years of the Clinton Administration, with one cheap and tawdry scandal erupting after another. And I thought Hollywood was bad! I was particularly disgusted by the radical feminists who tried to excuse the President's misbehavior, even as the testimony of his victims accumulated and it turned out that they weren't all 'little girls from Little Rock.' Apparently the poor soul doesn't know any better and just can't say no. It's been a terrible example for our young people. Even worse than the debasement of the office of the presidency and of greater concern is the damage that's been done to our national security by the Clinton Administration's lax policies and by its deliberate transfer of sensitive missile technology to China while at the same time accepting campaign contributions from that foreign power. Instead of looking forward to a century of peace at the beginning of the new millennium, we now face the very real prospect of World War III. Our military readiness has dropped fifty percent since Clinton took office and our soldiers are frantic. (2000)

It was always an accident; I wish I could take some of the credit. My mother used to say, 'You have a path from heaven and if you fall off of it, it'll be a problem, Jane.' It was always the case where no matter what way I wanted to go, the Lord wanted me to go this way.

I really think the 1940s were the best generation for Hollywood. Everybody was patriotic then. Nobody was talking the way they do now, against the soldiers. It was a different era, a different Hollywood then, and we respected our country, our leaders and our fighting men. Sure, I'll admit, I'm a mean-spirited, politically conservative old actress. I'm not bigoted against any race, just those idiots who want to spit on our soldiers' hard work or remove the Ten Commandments from our schools and courtroom walls.

{On her Gentlemen Prefer Blondes (1953) co-star Marilyn Monroe] She once got her life so balled up that the studio hired a full-time secretary maid for her. So Marilyn soon got the secretary as balled up as she was, and she ended up waiting on the secretary, instead of vice-versa.

I remember as a little boy when I first saw Jane Russell on the screen, the small screen that is, GENTLEMEN PREFER BLONDE'S i think it was a Saturday  afternoon,  I was about  111. I recall thinking who is this? I asked my mother if she was an Amazon, she seemed so tall and the va-va-voom  female shape of hers, she was like a goddess, My mother replied, it's because she what you call  voluptuous, I  kinda had an idea what she meant , but as i grew older i realized  it  meant she was fat in all the right places. Today one would consider her a Glamazon and maybe even the worlds first ever.  As a makeup artist she is a constant  source of inspiration so classic and stream line. Just simply beautiful.

I have enclosed a list of  my all time favorite Jane films, maybe you will have your own Jane Russell film festival.  Have a seat , put up your heals and  pop that corn and enjoy!

Titles with ** are my first choice!

The Outlaw (1943) His Kind of Woman (1951) Double Dynamite (1951) The Las Vegas Story (1952) Son of Paleface (1952)* Montana Belle (1952) Gentlemen Prefer Blondes (1953)* The French Line (1954)* Underwater! (1955) The Tall Men (195 The Revolt Of Mamie Stover* Fuzzy Pink Nightgown * Johnny Reno

Black Swan

For BLACK SWAN, makeup artist Margie Durand & Judy Chin  created a dazzling  and stunning look for Actress Natalie Portman, The look is dark, seductive and  obvilously very stage worthy, but could you translate this look into something  wearable?  Durand  recomends going for something  like a 1920's  vamp look. "Create the smoking black swan eye with a slender ,silver line over the eyelid. Rim the waterline with black liner and top it off with full  feathery false lashes. 


Instead of a matte foundation i think for a more wearable look a little glow would  be amazing. with this look you can go bols and smokey or simple and clean experiment!

Above, clockwise from left: CoverGirl Smoky ShadowBlast in Onyx Smoke, $8.99, available at CVSMAC Fluidline in Blacktrack, $15, available at MAC; NYX Lashes, $4.50, available at Urbanoutfitters;MAC & Marcel Wanders Lipstick in Digna, $22, available at MAC; NARS Sheer Matte Foundation, $42, available at NARS.