Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Sunday, October 21, 2012

THE WISDOM OF MARILYN









Silent Is Golden: Edwina Booth


EDWINA BOOTH
Edwina Booth (September 13, 1904 – May 18, 1991) was an American actress. She is best known for the 1931 film Trader Horn, during the filming of which she contracted an illness which effectively ruined her movie career.

Career
Born Josephine Constance Woodruff, the daughter of a doctor, in ProvoUtah, Booth's brief film career began in 1928 with the Dorothy Arzner-directed Manhattan Cocktail, which also featured Nancy Carroll and Richard Arlen.
She was on vacation following a 1927 stage appearance when film director E. Mason Hopper saw her and offered her a part in a Marie Prevost picture. Metro-Goldwyn-Mayer (MGM) was impressed with her, and cast Booth in supporting roles. Her chance for stardom came when the studio cast her in its new jungle epic Trader Horn opposite Harry Carey. MGM gave the production a fairly large budget, and sent cast and crew on location in East Africa. Up until 1929, the only films shot in Africa were travelogues, but MGM was hoping that the idea of "location shooting" might increase the film's commercial appeal. The crew was inexperienced and ill-equipped for filming in Africa, a problem exacerbated by MGM's last-minute decision to shoot the film with sound.
In addition to coping with the heat and insects, Booth contracted malaria during shooting. Her role in the film as "The White Goddess" required that she be very scantily clad, likely increasing her susceptibility. Production went on for several months (much longer than average production time in those days), and the film wasn't released until 1931. Despite many problems with the film's production, Trader Horn was a success, securing an Academy Award nomination for Best Picture.
Booth, however, fared much worse; it took her six years to fully recover physically. She sued MGM for over a million dollars, claiming she had been provided with inadequate protection and inadequate clothing during the African shoot.  She also claimed she had been forced to sunbathe nude for extended periods during filming. The case received a lot of attention in the tabloids and was eventually settled out of court. According to some sources, the terms were not disclosed;  however, Brigham Young University archives indicate she settled for $35,000.
Later years
Booth's acting career never recovered from the MGM debacle. Neither MGM nor the other major studios had any intentions of employing her, which created an opportunity for producer Nat Levine of the low-budget Mascot Pictures. Levine saw a chance to capitalize on the success of Trader Horn by reuniting its stars Harry Carey and Edwina Booth for two adventure serialsThe Vanishing Legion and The Last of the Mohicans. The films were successful within their limited market, but failed to propel Edwina Booth's movie career forward. By the time MGM reissued Trader Horn in 1938, Edwina Booth had been forgotten by the moviegoing public.
Edwina Booth withdrew completely from the public eye, although she continued to receive fan mail for the rest of her life. She declared that she would be dedicating all of her future leisure and a large proportion of her earnings to the alleviation of human suffering, "My years of illness have not been wasted," she informed the local press. "I have learned to love mankind." She became more active in The Church of Jesus Christ of Latter-day Saints, frequently attending the Los Angeles California Temple.
Booth was married three times. Anthony Shuck, her first husband, had their marriage annulled soon after her return from Africa. She married her second husband, Urial Leo Higham on November 21, 1951. He died in 1957. Her third husband was Reinold Fehlberg. They were married from 1959 until his death in 1983.
There were many false rumors and reports of her demise  until her death in 1991. She is buried in Santa Monica's Woodlawn Cemetery.


FILMS:

1928- Manhattan Cocktail
1929- Our Modern Maidens
1931- Trader Horn
            The Vanishing Legion
1932- The Midnight patrol
            The last Of The Mohican's
            Trapped In Tia Juana

Saturday, September 29, 2012

SIlent Is Golden: Bessie Love



BESSIE LOVE

Bessie Love (September 10, 1898 – April 26, 1986) was an American motion picture actress who achieved prominence mainly in the silent films and early talkies. With a small frame and delicate features, she played innocent young girls, flappers, and wholesome leading ladies. Her role in The Broadway Melody (1929) earned her a nomination for the Academy Award for Best Actress. In addition to her acting career, she wrote the screenplay for the 1919 film A Yankee Princess.




EARLY LIFE
Love was born Juanita Horton in MidlandTexas. She attended school in Midland until she was in the eighth grade, when her chiropractor father moved his family to Hollywood. Bessie graduated from Los Angeles High School and then received from her parents the graduation present of a trip around the United States. After six months of traveling, she finally returned home to Los Angeles.
In 1922 Love was selected one of the WAMPAS Baby Stars. In 1923, she starred in Human Wreckage with Dorothy Davenport and produced by Thomas Ince.



To help with the family's financial situation, Love's mother sent her to Biography Studios, where she met pioneering film director D.W. Griffith. Griffith, who introduced Bessie Love to films, also gave the actress her screen moniker. He gave her a small role in his film Intolerance (1916). She also appeared opposite William S. Hart in The Aryan and with Douglas Fairbanks in The Good Bad ManReggie Mixes In, and The Mystery of the Leaping Fish (all 1916).


THE SOUND ERA
As her roles got larger, so did her popularity. She performed the Charleston in the film The King on Main Street in 1925. Also that same year she starred in The Lost World, a science fiction adventure based on the novel of the same name by Sir Arthur Conan Doyle. Three years later she starred in The Matinee Idol, a romantic comedy directed by a young Frank Capra.
However, by 1932 her American film career was in decline. She moved to England in 1935 and did stage work and occasional films there. As war came in Europe she returned to the US for a while, worked for the Red Cross, and entertained the troops. After the war she moved back to Britain where she kept her main residence, and continued to play small film roles for film companies in both the US and Britain. She appeared in films such as The Barefoot Contessa (1954) with Humphrey Bogart, and as an American tourist in The Greengage Summer (1961) starring Kenneth More. She also played a small role as an American tourist in theJames Bond thriller On Her Majesty's Secret Service (1969). She played a small but pivotal role as a switchboard operator in 1971's Sunday Bloody Sunday.
Love was able to successfully transition to talkies, and in 1929 she was nominated for theAcademy Award for Best Actress for The Broadway Melody. She also appeared in several other early musicals including The Hollywood Revue of 1929 (1929), Chasing Rainbows(1930), Good News (1930), and They Learned About Women (1930).


PERSONAL LIFE
Her career came to a quick halt soon after that however, and she moved permanently to the United Kingdom, becoming a British citizen. She made a comeback in the 1980s with roles in Ragtime (1981), Warren Beatty's Reds (1981), Lady Chatterley's Lover (1981) and (her final film) The Hunger (1983) starring Catherine DeneuveDavid Bowie, and Susan Sarandon. During her lifetime, Love was featured in 131 films and TV episodes.
In 1977 she published an autobiography, From Hollywood with Love. She was at this time living comfortably in a flat overlooking London’s Clapham Common and had recently appeared in a television account of the abdication of King Edward VIII.


She recorded that during World War II in Britain when she found acting work hard to come by she had been the "continuity girl" on the film drama San Demetrio London, an account of a ship badly damaged in the Atlantic but whose crew managed to bring her to port. She also says she had regular diet in the post-war era of stage roles as an American Tourist and similar roles, and was "Aunt Pittypat" in a large-scale musical version of Gone With the Wind.
Love married agent William Hawks (January 29, 1901 Neenah, Wisconsin – January 10, 1969 Santa Monica, California) at St. James Episcopal Church in Pasadena, California on December 27th, 1929. Mary AstorBebe DanielsCarmel MyersNorma Shearer and Blanche Sweet were her bridesmaids, William's brother Howard Hawks and Irving Thalbergushered. Mary Astor was William's sister-in-law, married to brother Kenneth Hawks. They then lived at the Havenhurst Apartments in Hollywood. They had daughter Patricia Hawks (February 19, 1932 Los Angeles, California) who had some bit parts in 1952 movies. They divorced in 1935.


Love died in London, England from natural causes on April 26, 1986. She has a star on the Hollywood Walk of Fame at 6777 Hollywood Boulevard, Los Angeles, California.
Let's talk about the amazing career this woman had. Started out in the silent films era and work steadily in film up until 1983 where she stared along side David Bowie In THE HUNGER. Not many actresses from that period in Film really transitioned into talkies, but Bessie Love did and had a great career. Here is a selected list of her films that I admire. Its sad that many of her films as well as other amazing performances have gone up in smoke. Literally, in a huge studio fire, so many of Hollywood treasures where lost.   xoxox Mykie

Silent: This gives you an idea of the volume of work she created and the many films lost

SOUND FILMS:
  • The Broadway Melody-1929
  • Conspiracy -1930
  • The Magic box- 1950
  • The Barefoot Contessa- 1954
  • The Roman Springs Of Mrs. Stone -1961
  • Isadora - 1968
  • Sunday Bloody Sunday - 1971
  • REDS- 1981
  • RAGTIME- 1981
  • THE HUNGER -18983







FULL FEATURES:
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