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Beauty Icon: Veronica Lake

BEAUTY ICON/VERONICA LAKE

(November 14, 1922[1] – July 7, 1973) was an American film actress and pin-up model.[2] She received both popular and critical acclaim, most notably for her role in Sullivan's Travels and for her femme fatale roles in film noir with Alan Ladd during the 1940s including This Gun for Hire. She was well known for her peek-a-boo hairstyle. Lake had a string of broken marriages and, after her career declined, long struggles with mental illness and alcoholism.

Early life and career

Lake was born Constance Frances Marie Ockelman in Brooklyn, New York. Her father, Harry E. Ockelman, of Danish-Irishdescent,  worked for an oil company aboard a ship. Her father died in an industrial explosion in Philadelphia in 1932 when she was ten. Her mother, née Constance Charlotta Trimble (1902–1992; of Irish descent), married family friend Anthony Keane, a newspaper staff artist, a year later, and Lake began using his last name. Lake was sent to Villa Maria, an all-girls Catholic boarding school in Montreal, Canada, from which she was expelled. The Keane family later moved to Miami, Florida. Lake attended Miami Senior High School in Miami, where she was known for her beauty. She had a troubled childhood and was diagnosed as schizophrenic, according to her mother.

1940's ICON

In 1938 Lake moved with her mother and stepfather to Beverly Hills, where her mother enrolled her in the Bliss-Hayden School of Acting. Her first appearance on screen was for RKO, playing a small role among several coeds in the 1939 film, Sorority House. Similar roles followed, including All Women Have Secrets and Dancing Co-Ed. During the making of Sorority House director John Farrow first noticed how her hair always covered her right eye, creating an air of mystery about her and enhancing her natural beauty. She was then introduced, while still a teenager, to the Paramount producer Arthur Hornblow, Jr. He changed her name to Veronica Lake because the surname suited her blue eyes.

RKO subsequently dropped her contract. She married art director John S. Detlie, 14 years her senior, in 1940. A small role in the comedy, Forty Little Mothers, brought unexpected attention. In 1941 she was signed to a long-term contract with Paramount Pictures. On August 21, 1941, she gave birth to her first child, Elaine Detlie.For a short time during the early 1940s Lake was considered one of the most reliable box office draws in Hollywood. She became known for onscreen pairings with actor Alan Ladd. At first, the couple was teamed together merely out of physical necessity: Ladd was just 5 feet 5 inches (1.65 m) tall and the only actress then on the Paramount lot short enough to pair with him was Lake, who stood just 4 feet 11¹⁄₂ inches (1.511 m). They made four films together.

Her breakthrough film was I Wanted Wings in 1941, a major hit in which Lake played the second female lead and was said to have stolen scene after scene from the rest of the cast. This success was followed by Hold Back the Dawn later that year. She had starring roles in more popular movies, including Sullivan's Travels, This Gun for Hire, I Married a Witch, The Glass Key, and So Proudly We Hail!. René Clair, the director of I Married a Witch, said of Lake "She was a very gifted girl, but she didn't believe she was gifted."

A stray lock of her shoulder-length, blonde hair during a publicity photo shoot led to her iconic "peekaboo" hairstyle, which was widely imitated. During World War II, Lake changed her trademark image to encourage women working in war industry factories to adopt more practical, safer hairstyles, although doing so may have damaged her career.

Although popular with the public, Lake had a complex personality and acquired a reputation for being difficult to work with. Eddie Bracken, her co-star in Star Spangled Rhythm, was quoted as saying, "She was known as 'The Bitch' and she deserved the title." In that movie, Lake took part in a song lampooning her hair style, "A Sweater, A Sarong and a Peekaboo Bang", performed with Paulette Goddard and Dorothy Lamour. Joel McCrea, her co-star in Sullivan's Travels, reputedly turned down the co-starring role in I Married a Witch, saying, "Life's too short for two films with Veronica Lake." 

Lake's career stumbled with her unsympathetic role as Nazi spy Dora Bruckman in 1944's The Hour Before the Dawn. During filming, she tripped on a lighting cable while pregnant and began hemorrhaging. She recovered, but her second child, William, was born prematurely on July 8, 1943, dying a week later from uremic poisoning. By the end of 1943 her first marriage ended in divorce. Meanwhile, scathing reviews of The Hour Before Dawn included criticism of her unconvincing German accent.

Nonetheless, Lake was earning $4,500 per week under her contract with Paramount. She had begun drinking more heavily during this period and people began refusing to work with her. Paramount cast Lake in a string of mostly forgotten films. A notable exception was The Blue Dahlia (1946), in which she again co-starred with Ladd. During filming, screenplay writer Raymond Chandler referred to her as "Moronica Lake". Paramount decided not to renew her contract in 1948. 

Looking back at her career years later, Lake remarked, "I never did cheesecake; I just used my hair." 

She married film director Andre De TothToth, known as Michael De Toth (October 25, 1945 – February 24, 1991), and a daughter, Diana De Toth (born October 16, 1948). Lake was sued by her mother for support payments in 1948.

Later years

Lake earned her pilot's license in 1946 and was able to fly solo between Los Angeles and New York.

After a single film for 20th Century Fox, Slattery's Hurricane (1949), her career collapsed. By the end of 1951 she had appeared in one last film (Stronghold, which she later described as "a dog"), filed for bankruptcy, and divorced de Toth. The IRS seized the remainder of her assets for unpaid taxes. Lake turned to television and stage work and in 1955 married songwriter Joseph A. McCarthy.

After breaking her ankle in 1959, Lake was unable to continue working as an actress. She and McCarthy divorced, after which she drifted between cheap hotels in Brooklyn and New York City and was arrested several times for public drunkenness and disorderly conduct. A New York Post reporter found her working as a barmaid at the all-women's Martha Washington Hotel in Manhattan.  At first, Veronica claimed that she was a guest at the hotel and covering for a friend. Soon afterward, she admitted that she was employed at the bar. The reporter's widely distributed story led to some television and stage appearances, most notably in the off-Broadway revival of the musical Best Foot Forward. (Her contract overlapped with the departing Liza Minnelli and the two briefly co-starred together.) In 1966, she had a brief stint as a TV hostess in Baltimore, Maryland, along with a largely ignored film role in Footsteps in the Snow.

Her physical and mental health declined steadily. By the late 1960s Lake was in Hollywood, Florida, apparently immobilized by paranoia (which included claims she was being stalked by the FBI). She spent a brief period in England, where she appeared in the plays Madame Chairman and A Streetcar Named Desire.

Death

When Veronica: The Autobiography of Veronica Lake (Bantam, 1972) was published, she promoted the book with a memorable interview on The Dick Cavett Show, as well as an episode of To Tell the Truth, on which the panel had to guess which of three disguised women was the "real" Veronica Lake. Two of the panelists, Bill Cullen and Peggy Cass, quickly disqualified themselves because they knew her. With the proceeds, she co-produced and starred in her last film, Flesh Feast (1970), a very low budget horror movie with a Nazi-myth storyline. She then moved to the UK, where she had a short-lived marriage with an "English sea captain", Robert Carleton-Munro, before returning to the U.S. in 1973, having filed for divorce.

Lake was immediately hospitalized. Although she had made a cheerful and positive impression on the nurses who cared for her, she apparently was estranged from her three surviving children, particularly her daughters. Elaine Detlie became known as Ani Sangge Lhamo after becoming a member of the Subud faith in New Zealand. Diana became a secretary for the U.S. Embassy in Rome in the 1970s. Michael De Toth stayed with his mother on and off through the 1960s and 1970s. He married Edwina Mae Niecke. When Lake died, he claimed her body.

Lake died on July 7, 1973, of hepatitis and acute renal failure (complications of her alcoholism) in Burlington, Vermont, where her death was certified by Dr. Wareen Beeken at theFletcher Allen Hospital, and where she was seen by many staff members during her nearly two-week stay.^[19] A rumor persists that she died in Montreal and was smuggled across the border to Vermont. Vermont state death records, however, confirm that she died in Burlington, Vermont.

As she requested, her ashes were scattered off the coast of the Virgin Islands. A memorial service was held in Manhattan, but only her son and a handful of strangers attended. In 2004 some of Lake's ashes were reportedly found in a New York antique store. Her son, Michael, died on February 24, 1991, at age 45 in Olympia, Washington.

Lake has a star on the Hollywood Walk of Fame at 6918 Hollywood Boulevard for her contributions to the motion picture industry. She remains a legendary star today and her autographs and other memorabilia continue to draw high prices on eBay and other popular outlets.

Polular Culture

Lake was one of the models for the animated character of Jessica Rabbit in the 1988 film "Who Framed Roger Rabbit", especially for her hairstyle. In the 1997 film L.A. Confidential (based on James Ellroy's 1990 novel), Kim Basinger won the Academy Award for Best Supporting Actress for her portrayal of a prostitute who is a Veronica Lake look-alike, and who, in one of the book's and film's signature lines, is complimented by a police officer who tells her, "You look better than Veronica Lake

Trivia

Children: Elaine Detlie, b. 21 August 1941; William Detlie, lived 8-15 July 1943; Andre Michael De Toth III, b. 25 October 1945; Diana De Toth, b. 16 October 1948.

An accomplished aviatrix, she took up flying in 1946 and in 1948 flew her small plane from Los Angeles to New York.

A 1943 Paramount newsreel shows her adopting an upswept hairdo at the behest of War Womanpower Commission, to discourage "peekaboo bangs" on Rosie the Riveter.

Got her big break when teamed with the only actor in Hollywood relatively near to her in height, Alan Ladd. Ladd was 5' 6" and she was just 4' 11".

During World War Two, the rage for her peek-a-boo bangs became a hazard when women in the defense industry would get their bangs caught in machinery. Lake had to take a publicity picture in which she reacted painfully to her hair getting "caught" in a drill press in order to heighten public awareness about the hazard of her hairstyle.

She has a star on the Hollywood Walk of Fame located at 6918 Hollywood Blvd.

Kim Basinger won an Oscar as "Best Actress in a Supporting Role" for portraying a prostitute who is supposed to look like Lake.

She and Alan Ladd made 7 movies together: The Blue Dahlia (1946), Duffy's Tavern (1945), The Glass Key (1942), Saigon (1948), Star Spangled Rhythm (1942), This Gun for Hire (1942) and Variety Girl (1947). In Variety Girl (1947), Star Spangled Rhythm (1942) and Duffy's Tavern (1945) they appear as themselves.

.Her ashes sat on a funeral home's shelf until 1976 when her cremation was paid for and supposedly spread on the Florida coastline. Some 30 years after her death, her ashes resurfaced in a New York antique store in October 2004.

Actor Stewart Stafford lived the first three years of his life in her old apartment in New York (her name was still visible inside the mailbox).

When former lover Marlon Brando read in a newspaper that a reporter had found Veronica Lake working as a cocktail waitress in a Manhattan bar, he instructed his accountant to send her a check for a thousand dollars. Out of pride, she never cashed it, but kept it framed in her Miami living room to show her friends.

Personal Quotes

You could put all the talent I had into your left eye and still not suffer from impaired vision.

I will have one of the cleanest obits of any actress. I never did cheesecake like Ann Sheridan or Betty Grable. I just used my hair."

I wasn't a sex symbol, I was a sex zombie.

[1970, reflecting on her career] I've reached a point in my life where it's the little things that matter. I'm no longer interested in doing what's expected of me. I was always a rebel and probably could have got much farther had I changed my attitude. But when you think about it, I got pretty far without changing attitudes. I'm happier with that.

Hollywood gives a young girl the aura of one giant, self-contained orgy farm, its inhabitants dedicated to crawling into every pair of pants they can find.

[on Alan Ladd] Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.

[on Paulette Goddard] It was her honesty I liked.

[on Marlon Brando] Our romance was short but sweet. He was on the dawn of a brilliant film career, and I was in the twilight of one. Of course, my career could never compare with his.

[on her screen test for I Wanted Wings (1941)] My hair kept falling over one eye and I kept brushing it back. I thought I had ruined my chances for the role. But (Arthur) Hornblow was jubilant about that eye-hiding trick. An experienced showman, he knew that the hairstyle was something people would talk about. He had a big picture and lots of talk would bring customers to see it.

[on performing with Fredric March in I Married a Witch (1942)] He treated me like dirt under his talented feet. Of all actors to end up under the covers with. That happened in one scene and Mr. March is lucky he didn't get my knee in his groin.

There's no doubt I was a bit of a misfit in the Hollywood of the forties. The race for glamor left me far behind. I didn't really want to keep up. I wanted my stardom without the usual trimmings. Because of this, I was branded a rebel at the very least. But I don't regret that for a minute. My appetite was my own and I simply wouldn't have it any other way.

I think I've developed into an actress because I've worked darn hard at it and I've learned a great deal from a lot of gifted people. And if I have nothing else to show for my life, apart from a scrapbook full of cuttings, I have the knowledge that my early days in Hollywood weren't in vain.

If I had stayed in Hollywood I would have ended up like Alan Ladd and Gail Russell - dead and buried by now. That rat race killed them and I knew it would kill me, so I had to get out. I was never psychologically meant to be a picture star. I never took it seriously. I couldn't 'live' being a 'movie star' and I couldn't 'camp' it, and I hated being something I wasn't.

Here is my selected films that I love of Veronica's. If you can find them, download or rent them please do

she's one of the lost greats!

1941~ I Wanted Wings

1941- Sullivan's Travels

1942- This Gun For Hire

1942~The Glass Key

1942~ I Married A Witch

1946~ The Blue Dalhia

[edit]

BEAUTY ICON: BARBARA EDEN

BEAUTY ICON: BARBARA EDEN

Barbara Eden (born August 23, 1934) is an American film and television actress and singer who is best known for her starring role in thesitcom I Dream of Jeannie.

Early years

Eden was born Barbara Jean Morehead in Tucson, Arizona, the daughter of Alice Mary (née Franklin) and Hubert Henry Morehead. Her parents divorced when she was three; she and her mother Alice moved to San Francisco where later her mother married Harrison Connor Huffman, a telephone lineman. The Great Depression deeply affected the Huffman family, and as they were unable to afford many luxuries, Barbara's mother entertained the children by singing songs. This musical background left a lasting impression on the actress, who began taking acting classes because she felt it might help her improve her singing.

Her first public performance was singing in the church choir. She was always doing the solos. When she was 14 she was singing in local bands for $10 a night in night clubs. At age 16 she became a member of Actor's Equity. She studied singing at the Conservatory of Music in San Francisco and acting with the Elizabeth Holloway School of Theatre. She graduated from Abraham Lincoln High School in San Francisco in 1949 and studied theater for one year at City College of San Francisco. Then she was elected Miss San Francisco in 1951. Barbara also entered the Miss California pageant, but did not win.

TV And Film Roles

Eden made featured appearances on television shows such as The Johnny Carson Show (as "Barbara Morehead" and "Barbara Huffman"),The West Point Story, Highway Patrol, Private Secretary, I Love Lucy, The Millionaire, Target: The Corruptors!, Crossroads, Perry Mason, Gunsmoke, December Bride, Bachelor Father, Father Knows Best, Adventures in Paradise, The Andy Griffith Show, Cain's Hundred, Saints and Sinners, The Virginian, Slattery's People, The Rogues, and the series finale ofRoute 66 playing the role of Margo.

She guest starred in four episodes of Burke's Law playing different roles each time. She was an uncredited extra in the movie The Tarnished Angels with Rock Hudson, in partnership with 20th Century Fox studios. She then starred in the syndicated comedy How To Marry A Millionaire. The show was based on the film of the same name.

Discovery in the Hollywood sense came when she starred in a play with James Drury. Film director Mark Robson, who later directed her in the movie From The Terrace, had come to the play and wanted her for 20th Century Fox studios. Her screen test was the Joanne Woodward role in No Down Payment. Though she did not get the role, the studio gave her a contract. Eden did a screen test for the role of Betty Anderson in 1956 for the movie Peyton Place, though Terry Moore got the role. She had minor roles in Bailout At 43,000, Will Success Spoil Rock Hunter? and The Wayward Girl, and then became a leading lady in films and starred opposite Gary Crosby, Barry Coe, and Sal Mineo in A Private's Affair, and had a costarring role in Flaming Star (1960), with Elvis Presley.

The following year, she played in a supporting role as Lt. Cathy Connors in Irwin Allen's Voyage to the Bottom of the Sea. She starred in The Wonderful World of the Brothers Grimm aGeorge Pal-directed Cinerama film for MGM, and another Irwin Allen production for 20th Century Fox Five Weeks in a Balloon (1962). Eden was also the female lead in the 1962 20th Century Fox comedy Swingin' Along, starring the comedy team of Tommy Noonan and Peter Marshall, in their final joint screen appearance. She did a screen test with Andy Williamsfor the 20th Century Fox movie State Fair, but didn't get the role.

Her last film for 20th Century Fox was The Yellow Canary (1963). She left Fox studios (due to budget cuts) and began guest-starring in shows such as Saints And Sinners and also doing films for MGM, Universal, and Columbia. She played supporting roles over the next few years, including The Brass Bottle, and the notable, if odd, movie 7 Faces of Dr. Lao, both with Tony Randall. In The New Interns, she co-starred with Michael Callan. Then she signed to become "Jeannie," a genie in a bottle rescued by an astronaut in the television sitcom I Dream of Jeannie. She played this role for five years and 139 episodes. Eden also played Jeannie's sister in nine episodes and Jeannie's mother in two.

After that, Eden did an unaired pilot, The Barbara Eden Show, and another pilot, The Toy Game. She also began starring in and sometimes producing a string of successful made-for-TV movies, making at least one a year for one of the networks and they all were top-rated. Her first TV movie was called The Feminist And The Fuzz. Although best known for comedy, most were dramas, as when she starred with her "Jeannie" co-star Larry Hagman in A Howling in the Woods (1971). She starred in The Woman Hunter (1972) withRobert Vaughn, an earlier co-star from Gunsmoke. In The Stranger Within (1974), Eden plays unwitting housewife Ann Collins, who becomes one of many earthling women that are extraterrestrially impregnated. Like the mother-to-be in Rosemary's Baby, Ann develops unusual prenatal cravings (in this case, coffee grounds instead of blood-rare meat). The screenplay was written by Richard Matheson and directed by Lee Philips.

Eden played Liz Stonestreet, a former policewoman now private detective investigating the disappearance of a missing heiress in a critically acclaimed TV movie Stonestreet: Who Killed The Centerfold Model? (1977) co starring Louise Latham, James Ingersoll, Elaine Giftos, Ann Dusenberry. and Sally Kirkland. She played Lee Rawlins, a woman who worked at a department store, in the ABC TV movie The Girls in The Office (1979) and starred in and co-produced with her own production company (MI-Bar Productions) the NBC TV movie romantic comedy The Secret Life Of Kathy McCormick (1988) about "a simple grocery clerk, finds her way into her local high society and the life of a wealthy suitor who thinks she's a stockbroker." In addition, she starred in and produced the romantic comedy TV movie Opposites Attract (1990) co-starring John Forsythe, their first joint screen appearance since her guest-starring role in a 1957 episode of his Bachelor Father TV series.

I Dream of Jeannie

Eden starred in I Dream of Jeannie as Jeannie, a genie set free from her bottle by astronaut and USAF captain (later major) Anthony Nelson, played byLarry Hagman (played by Wayne Rogers in I Dream of Jeannie: 15 Years Later). She was initially passed over for the role as she was blonde and of small stature, but Sidney Sheldon called on her when he was unable to find a suitable brunette to play the part. I Dream of Jeannie was a mild success in the ratings, and it ran from 1965 until 1970, and during this time Eden was nominated twice for Golden Globe Awards. She later reprised her Jeannie role in two made-for-TV reunion movies (I Dream of Jeannie: 15 Years Later in 1985 and I Still Dream of Jeannie in 1991), and in the last scene of the theatrical movie A Very Brady Sequel. She also has played Jeannie in many TV commercials (AT&T, Lexus, Old Navy). I Dream of Jeannie has gone on to international syndication.

Later Career

She continued to appear regularly on stage starring in the play Blithe Spirit and in television specials like Telly...Who Loves Ya Baby? with Telly Savalasand The Best Of Everything with Hal Linden and Dorothy Loudon.

In 1978 she starred in the feature film Harper Valley PTA based on the popular country song. This led to a namesake television series in 1981; in both the movie and the TV series, she played the show's heroine, Stella Johnson. The show won 11 of its 13 time slots during its first season. It was a comedy version of Peyton Place with Anne Francine playing wealthy villain Flora Simpson Reilly. In one episode Stella dressed in a blue and gold genie costume and in another she played both Stella and her cousin Della Smith (similar to Jeannie's evil twin-sister character). The show Harper Valley PTAbegan January 16, 1981, and was renamed simply Harper Valley when the show began its second season on October 29, 1981. The show ran until August 14, 1982, producing 29 episodes for NBC and Universal MCA, which were rerun in 2000 by TV Land.

In 1990, Eden had a recurring role of a billionairess seeking revenge against JR Ewing in five episodes of the final season of Dallas, playing the captivating character Lee Ann De La Vega, reuniting her with her I Dream of Jeannie co-star Hagman. In her final episode the character admits that her maiden name was "Lee Ann Nelson," which was a production gag as "Nelson" was the surname of Hagman's character, and Eden's character's married name in I Dream of Jeannie.

From April 3 through September 16, 1984, Eden starred in the Lee Guber and Shelly Gross national production of the John Kander and Fred Ebb Tony Award-winning musical comedy Woman Of The Year, playing the role of Tess Harding Craig, alongside Don Chastain (as Sam Craig), and Marilyn Cooper (as Jan Donovan, reprising her Tony Award-winning role).

In 1991 she starred in the stage play Same Time, Next Year with Wayne Rogers, and reprised her role of Jeannie in a television movie of the week. In 1993 she starred in an 11 city national tour of the play Last Of The Red Hot Lovers with Don Knotts. She also made three guest appearances in the last few seasons of Sabrina, the Teenage Witch as the evil family matriarch, Great Aunt Irma.

Eden has starred in such musical comedies as Nite Club Confidential (playing the role of Kay Goodman, in 1996), The Sound Of Music,Annie Get Your Gun , South Pacific with Robert Goulet, The Pajama Game with John Raitt, and Gentlemen Prefer Blondes playing Lorelei Lee. She has been a musical guest star in many variety television shows, including 21 Bob Hope specials, The Carol Burnett Show, The Jonathan Winters Show, The Jerry Lewis Show, This is Tom Jones show, Tony Orlando and Dawn, and Donny and Marie. She released an album entitled Miss Barbara Eden in 1967, for the record label Dot Records. She recorded three songs in 1978 for the Harper Valley P.T.A. Soundtrack.

Prior to the release of Eden's 2011 autobiography, Eden then appearing on the Bob Hope NBC Christmas Special in December, 1985, made an unofficial announcement for the publication of her autobiographical book Barbara Eden: My Story, that was scheduled to be released in 1989. Although issued an ISBN number 978-0025349308 for cataloging, Barbara Eden: My Story was not mass-produced. One reason may be due to content disputes between the publisher and Eden.

She received an honorary Doctor of Laws degree in the spring of 1990 from the University of West Los Angeles School of Law. On November 17, 1988, she received the honor of a star on the Hollywood Walk of Fame sidewalk for her contributions to television at 2003 Hollywood Boulevard.

From 2000 until 2004, Eden starred in the national touring production of the play, The Odd Couple ... The Female Version, playing the role of Florence Unger opposite Rita MacKenzie as Olive Madison.

In March 2006, Eden reunited with her former I Dream Of Jeannie co-star Larry Hagman for a publicity tour in New York City to promote the first season DVD of I Dream Of Jeannie. They appeared together on such shows as Good Morning America, The View, Martha, Access Hollywood, Entertainment Tonight, and Showbiz Tonight.

In March 2006, Hagman and Eden also reunited, this time onstage in New York, for Love Letters at the College of Staten Island and at the United States Military Academy in West Point, New York. This was Eden's first visit to the Academy since appearing in The West Point Story in 1956.

Eden's most recent work was starring in the play Love Letters with Hal Linden, and a guest-starring role on the Lifetime series Army Wives, written and produced by her niece,Katherine Fugate. In December 2008 she began filming the TV Movie Always and Forever for the Hallmark Channel that was shown in October 2009.

In April 2009 she began hosting a national touring production of Ballroom With A Twist a live theater show from Louis van Amstel of Dancing with the Stars. On May 7, 2009, she appeared on Fox News Channel's Hannity, as a member of the "Great American Panel

Trivia

She was not allowed to show her belly button on "I Dream of Jeannie" (1965) because of NBC's "No Navel Edict".

She also double rolled, a few times, as Jeannie, her title roll, and her identical twin sister, Jeannie II, in "I Dream of Jeannie" (1965). Their only differences were opposite personalities and each one's hair color. Jeannie is a blonde and Jeannie II is a brunette.

Son, Matthew Ansara, (b. 29 August 1965).

Shortly after shooting began on the pilot episode for "I Dream of Jeannie" (1965), it was learned that she was pregnant. Director Gene Nelson invented a shot he playfully called the "ATB" ("Above the Baby"). "Sometimes," he stated, "We'd have to follow Jeannie's arm across the room".

On Monday, June 25th, 2001, her son Matthew Ansara (with first husband Michael Ansara) died of an accidental drug overdose. He was 35. His body was found in his car in a parking lot off a freeway in Los Angeles.

Measurements: 36B-24-36 (Source: Celebrity Sleuth magazine).

She did a screen test in May, 1960 for State Fair (1962).

After "I Dream of Jeannie" (1965) she had a nightclub act for a while. She was actually a talented singer, and she performed various kinds of songs in her act.

She's directly descended from American founding father Benjamin Franklin.

As a child, she had to wear glasses, an eye patch and pigtails. Because of this, she became very shy. To help overcome her shyness, her mother had Barbara get singing lessons.

Received a star on the Hollywood Walk of Fame.

Lucille Ball became her mentor and wanted to put Barbara under contract, Barbara signed with 20th Century Fox, instead.

Her grandfather, Charles Benjamin Franklin, was born in Germantown, Pennsylvania in 1870.

Her grandmother, Frances Elvira O'Leary Franklin, was born in 1879 in Galena, Nevada.

Owns a chocolate Labradoodle named Djinn-Djinn (The dog is named after Jeannie's dog on "I Dream of Jeannie" (1965)).

Portrayed by Paris Hilton on "American Dreams" (2002).

Personal Quotes

I don't know what I am doing from one moment to the next. I like that not knowing because it's always a surprise. You don't know what's around the corner, you know what role am I going to play next and who am I going to be working with. It's like opening a present.

I played the Marilyn Monroe role of "Loco" in "How to Marry a Millionaire" (1957), though I didn't consider myself as that kind of actress, I approached the role more as a character.

Every New Year's I resolve to have a better year than I had before.

If gentlemen prefer blondes then I'm a blonde that prefers gentlemen.

Eden Today

Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.

I've never stopped working. If you're active, you can appreciate what you did in the past, you don't feel like it's gone.

Work makes me feel productive, as though I'm contributing something. I like being productive and feeling productive.

Advice to present-day actors linked to a particular role: I would embrace the character, because it won't do any good if you don't. And another thing: Don't whine or talk trash about it. I don't think you ever demean to your public what you've done. You're insulting them if you demean your work.

On Jeannie: She's very easy to live with. Actually I think I'm more restricted by her now than when she was on the air, or 20 years after. I was just so busy.

Mykie Note:  I can remember running home after school when I was in elementary school to watch I DREAM OF JEANIE.  It was in reruns at the  time of course, but I wouldn't have known that. She was one of my huge boyhood crushes. I think i was attracted to the show because it was very gay and camp. and at the time being an 8-9 year old kid, I think it resonated with me.

Looking back I understand why.  As a makeup artist I love they way Barbara did her makeup. even today she still works her face the same way, a truly 60's eye.

as usual i will include my favorite films from Barbara Eden...enjoy  xoxox

• Flaming Star (1960) 
• From the Terrace (1960) 
• All Hands on Deck (1961) 
• Voyage to the Bottom of the Sea (1961) 
• The Wonderful World of the Brothers Grimm (1962) 
• Five Weeks in a Balloon (1962) 
• The Yellow Canary (1963) 
• 7 Faces of Dr. Lao (1964) 
• Ride the Wild Surf (1964) 
• The Amazing Dobermans (1976) 
• Harper Valley PTA (1978)